Disclaimer: This photo album is solely the property of Beth Jones. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Pentre Fest 2020 Day Two
Mcleans, Pentre, North Wales
Review by Rick Tilley, Alun Jones and Beth Jones
Pictures by Beth Jones
Saturday’s Pentre Fest, Day Two review is a collaborative affair between myself, Alun and Beth. I’ve made it clear who wrote what and I would like to thank them for their help, as well as looking after a broken 52 year old (me!) who cannot get around as quickly as he used to!
On the Saturday morning, pleasantly surprised that we weren’t hurting as much as we thought we might, we set off back to Mcleans, pausing only to pick up Powerzone’s Dani Maguire on the way, ready for a full day of Metal and Acoustic performances. It was noticeably quieter upon arriving, but a fair amount of alcohol had been consumed on the Friday, so I imagine there were a few sore heads! However, the always faithful had dragged themselves out of bed to watch the opening band of the day on the main stage…
Pop/Punker Cheerfully Undiagnosed (aka Adam Robinson) had also performed early on the Saturday at Pentre Fest the previous year, waking everyone up and putting a smile on our collective faces. Now expanded to a two piece, (with the addition of a drummer) they did the same this year. Vocalist/Guitarist Adam will probably be the first to admit that the material is simple, but he performs it with a huge glint of fun in his eyes and is very comical to boot. Getting a selection of hungover and tired metallers to sing along to tracks such as ‘I’ve Just Been Sick’ and ‘Unsolicited Dick Pic’ was hilarious to watch and take part in and it’s just the sort of thing you need to kick your day into gear!
One person we certainly hadn’t expected to see was Edd Case. In the week running up to Pentre Fest Edd had been taken ill, spending two days in hospital, so to see him turn up on the Saturday with his guitar, looking like death warmed up was a bit of a shock. After telling him off, he proceeded to blow us all away on the acoustic stage with a short set of songs, and I don’t think I’ve ever seen him play or sound better. His original songs are beautifully written and any covers he plays are turned completely on their head, always recognisable but played in a way only he can. He was excellent but, like Brian, he was still ‘a very naughty boy’ for turning up!
Next up on the main stage we were due to get our first proper Metal fix of the day from a band I hadn’t seen live before but was really looking forward to, Manchester based NWOTHM four piece Stormrider and ‘by the power of Greyskull’ did they deliver. If, like me, you love a good dose of Trad Metal, mixed up with some Power and Thrash influences, played as tightly as a gnat’s chuff and delivered with the force of a Challenger Tank then you’ll love Stormrider. Their not long enough set was excellent and looking around at the growing crowd it was clear I wasn’t the only one who thought so. Afterwards I immediately went and bought their EP and hope it isn’t too long before we see them again!
I nipped outside for a breather and immediately got caught up talking to people. For my sins I missed most of the next artist on the acoustic stage but, luckily, Alun didn’t so here are his thoughts on Rhiannon.
Rhiannon Petrou (Why’d You Wanna Know)
Sadly, Pentre Fest suffered a few casualties this year. One such example was on the acoustic stage, where Rachel Sian Roberts, one half of the newly formed duo, Why’d You Wanna Know, was hospitalised and (obviously) unable to perform. But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage. Admittedly out of her comfort zone, playing guitar as well as singing (having only started to learn guitar a month ago) she soldiered on and won plaudits for her effort. Only a few minor mistakes were noticed – and easily forgiven. Possessing a beautiful singing voice she even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s ‘Bad’ – making it sound good for the first time ever!
Having seen the end of Rhiannon’s set and thinking what a beautiful voice she had, I headed back to the main stage to get another blast of METAL, this time from Huddersfield Thrashers RipTide, another band I hadn’t seen live before. Now Thrash is one of my favourite genres. I’m old enough to have been around when it all began and saw bands such as Exciter, Exodus, Testament and Destruction etc play when they were starting out. I was also lucky enough to see Sy Keeler’s first gig singing with Onslaught, which still stands as one of the best live performances I’ve ever witnessed. Why am I on a trip down memory lane you may ask? Well, RipTide filled me with that same sense of open-mouthed awe I got as a teenager witnessing my idols for the first time. They possess everything a Thrash band needs and they do it with style. There’s definitely an old-school ‘Bay Area’ element to their sound, but it’s mixed with a modern-day twist and slightly harsher vocals, which brings everything into the 21st Century. They were incredibly tight, playing at break neck speed when they needed to, but slowing down and leaving space for the groove as well. A highlight of the weekend, you must not miss them if they gig near you!
Mine and Beth’s recent return to Ever Metal, for some reason, seemed to be going down well for many people attending and I got chatting again outside after Riptide. This meant I missed the beginning of Mike West’s set on the acoustic stage. Having seen him before I knew he was good, but Alun hadn’t, so here’s what he thought!
If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you. I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul. Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost. A great voice and an outstanding presence, Mike is one to catch when you can. Has anyone done a “Wild West” gag yet? If not, there’s a headline for us there!
After Mike’s great set, it wasn’t long before our Master of Ceremonies ‘Beany’ was rounding everyone up to head back to the main stage. He didn’t have to coerce me because I had been looking forward to seeing Forlorn Hope for about a year. Historical Heavy Metal may sound odd to some (although, it’s never done Sabaton any harm) but Forlorn Hope manage it with aplomb. They have been described as “a musical version of Bernard Cornwall’s ‘Sharpe’ novels” and I couldn’t put it any better myself. They haven’t been together that long, but arrived on stage like a much more seasoned outfit. Their Classic Heavy Metal sound mixed with Military History of the Peninsular War of 1807-1814 lyrics and a little in-between song humour from vocalist/rhythm guitarist Chris Simpson works perfectly and you should really seek them out. If there is one negative it is that keyboard player Jade McKenna doesn’t get more involved or smile. Her playing is more than acceptable, and the keyboards definitely add something to the music, but she looks very ‘stiff’ on stage compared to the rest of the band!
By this point my spine was starting to groan and I needed a break, so I’ll leave you in the more than capable hands of Beth who went to check out Ben MIlford on the Acoustic Stage.
Normally we’re used to seeing Ben shredding in the shadows, as he’s the super skilled, but incredibly humble, guitarist in OMV. His acoustic performance wasn’t just a new experience for us – it was also the first time he’d done an acoustic set on his own. Talking to him beforehand, we discovered that he was pretty nervous about it, because it meant stepping out of his comfort zone by singing as well as playing. He needn’t have been nervous though, because his performance was brilliant, and he has a lovely voice. On a couple of songs, he had extra vocal support from his band mate Richie, front man of OMV, and the unstoppable Edd Case! To be honest though, he didn’t need it. He did a fabulous job on his own, and we got to see another side of him, which we really liked.
Scars Of Remembrance
Sore back or not, I wasn’t going to miss our friends in Scars Of Remembrance, and it turned out to be one of the best decisions I’ve made for a long time, so I hope you don’t mind me waxing lyrical! Since vocalist Mike Edwards’ departure from the band late last year, SOR have been without a steady frontman. They’d decided that, for this gig, guitarist Mark Harris was going to sing (he already does backing vocals and has a good voice), but it was clear beforehand that he was in pain. It turns out he had cracked two ribs in a fall and wasn’t able to play guitar, and I think there were nerves within the band as to how this was going to go down.
They needn’t have worried, because within half a song, the now much more healthy crowd was looking at the stage and at each other in astonishment. Regardless of the pain he was in, which must have been very uncomfortable and deserves a medal on its own, no-one could quite believe the voice (both clean and screamed) that was coming from Mark’s lungs. He is a very quiet individual off stage, but this was an absolutely mesmerising performance, and easily the best I had ever seen Scars Of Remembrance play. Having just four of them on stage gives them more space. Bassist Karl Ditcher certainly came out of his shell (he also joined in on backing vocals presenting an excellent bear-like roar), guitarist Daniel Dawson admirably covered the missing guitar with his riffing, and drummer Ben Burke played like a man possessed, thumping the living daylights out of the kit. However, Mark was the star of the show and it’s quite obvious that they don’t need to find a new singer!
Afterwards, many people spent an awful lot of time telling them this, and I really hope they listen. I already thought they were a great band, but this performance elevated them to the next level! My band of the weekend bar none!
Back at the acoustic stage it was time for Adam Robinson to play a set and I shall leave Beth to tell you about that.
Adam Robinson (Cheerfully Undiagnosed)
Still stoked from what I’d just seen on the main stage, I headed back to the acoustic room to watch Adam Robinson deliver his second set of the day, this time acoustically and on his own. It was no less cheerful than his earlier offering, and his witty banter and repartee kept the crowd enthralled. Again, his chosen songs weren’t overly fussy or complex, just good fun. He is a great act if the audience need a bit of a giggle and a livener, and his endearing stage persona could warm the hearts of even the coldest of souls!
At this point, along with Dani from Powerzone, we had arranged to interview the bonafide superstar, and absolute gentleman, that is Luke Appleton (Iced Earth & Absolva), alongside Rishi Mehta (Babylon Fire) who would be performing an acoustic set together later that day. While we did that Alun was watching OMV and here are his thoughts!
On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas. Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy. Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them. Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs. They were very entertaining, although hugely confrontational onstage – I wasn’t sure if they were actually going to pistol whip the audience into submission. The music has enough intensity and power to speak for itself.
While I took a plethora of pain killers, washed down with a pint (don’t have a go at me) Beth headed to the acoustic stage to watch the second performance of the weekend from the excellent Cry For Mercy.
Cry For Mercy Acoustic
We’re quickly running out of adjectives to describe these guys, but I’ll have a bash at a few more here, to describe their set on the acoustic stage! We’re big fans of these guys at Ever Metal, and have seen them many times now, but not stripped back like this. As usual though, their performance was a masterclass in how to deliver a great acoustic rock and blues set. Drummer Steven Taylor kept the rhythms going on Cajon, which gave the set that extra acoustic feel, and the grooves were upheld by guitarist Andy Cutty and bassist/vocalist Kev Plant. This set upheld their super-tight musicianship, with all of them on point all of the time. One of the things I like most about them is how comfortable they look when they play. The feel they give to the music is both smooth and charismatic, and you can’t help being drawn into it, making toe-tapping and head nodding obligatory! This set was so chilled that it would not have been out of place on a ‘hideout’ stage at a midsummer festival somewhere in the Texas Deep South. It oozed groove and proved just how versatile these guys are.
By now I was going numb so I knew I could manage some more music and I went back to the main stage to watch Son Of Boar, however Alun rather enjoyed their set (I did too), so he’s written this short, but very complimentary review.
Son Of Boar
They have a cool name, and they looked pretty cool on stage in matching denim battle-vests. From the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special. I wasn’t wrong. These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness and they have a sludgy, swampy groove that can pack an aggressive punk punch. The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb. I even bought a t-shirt!
At this point Edd Case played a second set on the acoustic stage and it was the one time, all weekend, we missed a performance. However, as we’d seen him earlier in the day and he was still a very naughty boy for even turning up, he’s going to forgive us…aren’t you Edd?
Back at the main stage it was time for the awesome Severenth to play and, once again, they showed why it is so good to have them back on the scene. When these guys were around the first time they toured the US and played the hallowed Wacken Open Air, among others and their pedigree shone through from start to finish. Vocalist Peet Bailey is a wonderful frontman, possessing a huge voice and bags of energy, Ben Jones thunders on the bass, guitarists Jack Somers and Adam Sidor are the perfect foils for each other, and drummer Dave Roberts is a mass of arms and rhythm. Together they a make a brutal, but very catchy team, and the sooner they release a new album the better!
We were now heading towards the climax of the Festival, but there were still two performances to go. First up were the headliners on the acoustic stage, namely Luke Appleton (Iced Earth, Absolva) and Rishi Mehta (Babylon Fire) who put on a wonderful performance. As Alun hadn’t seen Luke acoustically before he kindly supplied the write-up of the set!
Luke Appleton and Rishi Mehta
A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage. In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020. Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge. Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers. Not to mention a bit of Dio and Tenacious D for good measure! A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.
After a short break, where some of us braved the horrendous wind that was pummelling Mcleans outside (actually, now I think about it, bearing in mind who was due to appear onstage, it could well have been the ‘True Metal wind of Joey DeMaio’s 24 string bass guitar), we headed back to the main stage to witness the climax of Pentre Fest 2020 – WomenOwar!! Now, there had been rumblings (no, not from my stomach) that WomenOwar were threatening to pull out of their performance as there’d been a massive argument between Floss The Boss and Davina Shenkles over who was going to wear the deep blue eyeliner and baby oil, but luckily tragedy was averted! Of course, had this been the real Manowar we would all have been sat twiddling our thumbs calling Joey a complete and utter wan…!
Yes I’m joking, sort of! WomenOwar are an ‘all women, not all women’ Manowar Tribute band and they were absolutely brilliant! Formed for a one-off performance in 2018 they now find themselves in demand, possibly because Manowar really do argue over who is going to wield the He-Man sword and get the best painted on six-pack, but more likely because they are very funny and play the songs superbly!
Made up from members of the awesome Dakesis, Fury and Christgrinder you just knew the musical prowess was going to be top notch, and so it proved to be. Armed with a wig and mascara collection that Steel Panther would be proud of (in fact Manowar would be proud of it as well), they proceeded to blow us all away with a majestic set of Manowar classics that the crowd lapped up! It was the perfect climax to a wonderful weekend. As it says on their website “the band have weathered even the most unconquerable challenges to consistently bring you 100% of the Manowar for 1% of the price of actual Manowar”, and that says everything really. Go see them! You won’t be disappointed, because WomenOwar will actually turn up and play!!
So, that’s Pentre Fest wrapped up for another year. In all seriousness, it was incredible and everyone I spoke to enjoyed themselves immensely. Sound was perfect all weekend on both stages and the only thing that let us down was the weather but having the sometimes ‘not acoustic’ stage inside really worked well!
Massive thanks must go to the team at North East Wales Metal Productions for assembling another cracking line-up of bands and acoustic artists, and especially to Fozzy for getting through what must have been an awful weekend for him.
We were all well looked after by Pat and the staff at Mcleans, they do a sterling job, the bands were friendly and approachable all weekend and, of course, it wouldn’t be the same without all of you who turned up to watch.
Pentre Fest is a wonderful grass roots event and it should be thoroughly applauded. I’m already primed for 2021!
Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Snake Eyes Acoustic Tour 2019
G21 At The Saddle Rock Bar, Chester
Review and Pictures by Beth Jones
After not being to any live music for about six weeks, Rick and I were starting to get cabin fever, and were very glad to be getting out to one of our new favourite local venues, The G21 at The Saddle Rock Bar, Chester. This intimate venue is quirky and basic, but has an awesome feel about it and we were glad to be getting to see not only our favourite local acoustic legend, Edd Case, but also a stalwart of the scene, Luke Appleton, who is nearing the end of his 2019 ‘Snake Eyes’ acoustic tour. Here, he would be joined by the equally hard working and talented Becky Baldwin to add an extra depth to his acoustic set. But more importantly than all this, it was Ian ‘Beany’ North’s birthday, and we were intrigued to see how much he could drink!
We arrived to find everyone in high spirits, which instantly gave us that warm feeling of home that we had missed out on over the last few weeks. The stage was set, the drinks chilled, and the lighting delicately poised to make it possible to take pictures! First up to serenade us was Edd Case.
I have said it before and I will say it again, if you haven’t heard of Edd Case, and you are from round these parts, have you been living under a rock?! Edd is a multi-faceted individual, who has the perfect mix of comedy, seriousness, personality and humility. Having stared death in the face just over a year ago, he has bounced back and used this experience to give him extra passion. He plays a range of covers and original tracks, putting his own spin on everything. Here he played some crowd pleasers, and also introduced a couple of new original tracks, one of which, ‘The Underdog’, is now my second favourite of his original tracks, the first being ‘Letters Back Home’, which he played again in this set, and which brought the room to a hush – it is such an emotive song that the whole place, including me, had a communal lump in our throat and you could have heard a pin drop – THAT is how to gauge a special song. We love Edd. Simple as!
Our main event of the evening was the metal world’s answer to a Dynamo, Luke Appleton, with a special guest appearance from Becky Baldwin. These two musicians have got to be the hardest working pair on the scene at the moment. Down time is something that doesn’t exist in their world, which does two things. Firstly, and most importantly, it makes them fabulously tight and consummately professional – here they took us through 70 minutes of ‘Acoustic Metal’, which was fast paced, impeccably played, and planned to the nth degree, including the links between songs. The set list was comprised of Luke’s original acoustic material from his “Snake Eyes” album and more, along with tracks from Iced Earth and Absolva, both with which Luke is an integral part of. There is no denying that both Luke and Becky are insatiable musicians who ooze talent and always put on a great show, whether they are playing to ten people or ten thousand people – this performance, musically, being no exception.
For me, the second thing that their non-stop pace does is make them tired, and I’m not talking just physically tired, that goes without saying, but more of an emotional and creative weariness. Whilst this performance was undoubtedly a brilliant musical performance technically, for me something was missing. They looked shattered, and their eyes told a different story to their smiles. I love and admire both these musicians immensely, but this performance left me feeling an odd kind of melancholy which I didn’t like. Maybe I’m just being far too sensitive, but I would really encourage them to seriously consider taking some time off, so they can refresh their passion for music, as it would be an absolute travesty to see talent like theirs burn out.
All that being said, it was a great night of music, and what a way for Beany to celebrate his birthday – that is class – having THE Luke Appleton play your birthday! The only question left is – Beany, how can you top that next year?! Thanks again to Fozzy and Beany for their hard work putting on these shows, and also to Edd Case, Luke Appleton and Becky Baldwin for bringing us the music.
Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
All photos courtesy of Beth Jones and PhotograBee Images
Disclaimer: This photo album is solely the property of Beth Jones and PhotograBee. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Pentre Fest Summer Session 2019
Review by Beth Jones
Is there anything better on a summer’s day than having a good time with friends, with good music and cheap beer? The answer to that question is of course ‘No’ and this year’s Pentre Fest Summer Session was one such summer’s day that we have had the pleasure of enjoying so far this year! The weather this year looked questionable, but thankfully by the time everything kicked off, the sun had decided to get its arse into gear and put in an appearance!
The lineup was a great mix of styles from classic heavy metal to groove death metal and everything in between, and it also saw the return of the now infamous Edd Case and his acoustic stage, which is just the best way to chill out between bands ever. This takes place out on the veranda (!!) and this year saw Edd kicking off proceedings there, and then going inside to do an opening slot on ‘the big stage’, which he was uber happy about!!
What can I say about Edd that hasn’t already been said?! If you don’t know him, or haven’t seen him perform, then you really do need to check him out. He is so much fun, and he never fails to put you in a good mood. This is a man who has come close to death and now has a newfound love of life, and it is infectious. He finished his ‘big stage’ set with a song he penned himself, called ‘Letters Back Home’, which personally I think is lyrically one of the most emotive songs I have ever heard. I have seen him perform it a number of times now, and I can’t watch it without getting the mother of all lumps in my throat. Every god damn time! You have no idea how much will power it takes me not to turn into a blubbering mess!
Again, we have seen these guys on a good number of occasions, the most recent being the Bloodstock M2TM Semi Final. This was a very different performance to their last few however, and they seemed a lot more relaxed, which came through in their performance. Lead singer / Guitarist Oliver Carins came out of his shell a bit more and really looked like he was enjoying the performance – something which I haven’t always seen in the past. Drummer Phil Eakins was solid as ever on the beats, and his voice came through really well thanks to the impeccable sound, which once again the sound man has to be applauded for.
After their shock exit at the semi-finals of Bloodstock M2TM, it was great to see these guys back to their culinary best! Their madcap meld of food and thrash is always a welcome teatime treat in my book, and they again pulled off a brilliant performance here, with some new songs as well as the classics, finishing up with the temporarily named ‘Chocolate Romance’, as they hadn’t been able to get their hands on a Red Velvet cake for front man Rob Sutton to smash into his face at the end! They played a super tight set and had a great laugh. It was also amusing to see the ever-lovely Nick Gregory of Radio Deeside being turned into a human hoopla peg, with giant inflatable donuts!
These guys are really starting to find themselves properly now. They have a great new logo and a real identity as a band now, and that is showing through in their madcap, post-apocalyptic punk thrash performances that continue to amuse and delight us! This performance was no exception, and yet again they looked like they were having immense fun, with Michael Randall bouncing about like Tigger on speed (I swear he is trying to get a sponsorship deal from Duracell), and the immense power of Dan Ashley’s guitar and Ben Codd’s drums making sure that everyone knew that it was Mad Spanner time! I love these guys because they are just totally nuts and don’t take themselves too seriously, and this is what performing should be all about. Manowar could learn some useful life lessons from Mad Spanner!
We saw Midnight Prophecy last Christmas at the Twisted Illusion Christmas Gig in Manchester, and were completely blown away by them, so we were super chuffed that we would get the chance to see them again on our doorstep! They didn’t disappoint. Their performance was exquisite. They are old school classic British Heavy Metal. They are melodic and impeccable and exciting and enticing, and I love it. Lead singer Craig Cairns has such an amazing voice and reminds me very much of a young Bruce Dickinson, and the rest of the band provide enough energy and noodling skills to competently cement their sound together into something very, very exciting. I thoroughly recommend them to everyone. One of the Pentre regulars, who had never seen them before, said to me that they were probably the best band he had ever seen there, and I have to say that I totally agree.
I watched the soundcheck for these guys and it made me chuckle in amazement because Donna Hurd’s powerhouse vocals literally made my eardrums bleed, and then they stopped and a tiny little voice said, ‘Yeah that sounds good’, and it blew my mind! How the hell she does that roar I do not know but flipping heck it is powerful!! They are a North West based Groove Death Metal four-piece and for this performance they had a stand in bass player, but you wouldn’t have known – they were super tight and super heavy, and Donna absolutely owned the stage. We had to leave a little early, as we are both old and broken and these all-dayers take their toll on us now, but we caught most of Bloodyard’s set and they are definitely worth checking out if you like metal to punch you in the face with RRRRRRRAWRR!
Before I sign off on another live review, I must also mention in more detail the acoustic stage, run by the acoustic king himself, Mr. Edd Case, which kept us chilled and entertained during the main stage breaks, and saw a couple of sets from Edd, along with performances from Neill Murphy, Captain Andy, Zanda Stone, and Scarfoot’s Oliver Carins. It is such a calming place to be between the main acts and I love it. All the acoustic performances were spot on again, and full of the feel of a long summer’s day.
Yet again we had a smashing time at Mclean’s, and I for one feel quite lucky that we get to go there, because it is quite possibly one of the friendliest places to be, where airs and graces are left at the door, and everyone is relaxed, which creates the wonderful and warm atmosphere that surrounds every event there. Thanks again to Fozzy and Beany for their tireless work putting on these showcases, to Edd Case for working like a trojan for the love of the acoustic stage, and to all the bands and acoustic acts for keeping us thoroughly entertained. Here’s to doing it all again next year!
Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Pentre Fest 2019 Day Two
Mcleans, Pentre, North Wales
Review by Beth & Rick Tilley
Pictures by Beth Jones
…We arrived back at McLean’s Bar around Midday, fresh faced and ready for Day Two of Pentre Fest. To say there were a few faces looking slightly less fresh would be an understatement, but a good old ‘hair of the dog’ session was already ensuing for most! The weather was fine, everyone was smiling & chatting and we were thoroughly looking forward to another day of full on Metal, starting with a relatively new, local band, Navnlos.
Its always nice to see local acts perform at events like this, and Navnlos certainly kicked the day off in style, with there thrashy groove metal style executed really well. It certainly cleared the head of the already growing crowd, and was a great way to get people back in to the swing of things. They had catchy hooks to their songs, and you could move to them, and everything they played was executed really well. Our one qualm with their performance was the length of time between songs, spent in relative silence. It was too much and they lost all the energy that the song had just built up. Their stage craft will grow the more they gig but, apart from that, musically they are a talented bunch and we are both very much looking forward to see what they do!
Next, we went from the sublime to the cor blimey, with another new local band, who hadn’t played many gigs before. They were a kind of punk pop metal crossover, and their lead vocalist was certainly up for it, and had everyone joining in with some audience participation on the majority of their quirky, funny and bizarre set. They weren’t the best band that we were going to hear on the day, but they certainly weren’t the worst we had ever heard. With a bit more gelling time, and a bit more confidence as a band together, they could be good. I hope they carry on working on this because it was funny and light – hearted, but if it doesn’t work out, then frontman Adam (who reminded us of comedian Jack Whitehall) could probably do really well as a kid’s party host, after managing to command the hungover gathering here, and get them to sing random things with seeming ease!
I hadn’t heard these guys before, so wasn’t sure what to expect, but my ears pricked up when they started playing, as their style was instantly recognisable to me as the sound of the 90s! A Rage Against The Machine / Alice In Chains / Corrosion Of Conformity influenced sound that got me jigging along and took me back my formative years! They were really tight and very bloody good. Formed in 2011, and hailing from the Manchester scene, you could tell that they properly know what they are doing, and they deliver it with passion and style. For me they were one of my stand out bands of the weekend, not only because I love their sound, but because of how well rehearsed they were. A new one to add to my list of ‘must see again’ bands.
I saw these guys at Badgerfest last year, and was not as impressed with them as I thought I might be. I had wanted to see them again, and for Rick to see them too, to see if my first impression was founded, or if I was just a complete dick. The answer to that question was, ‘I’m a complete dick!’ Although, in my defence, I don’t think the sound issues at Badgerfest helped them last year, and thus the performance I saw then wasn’t their best, but I am so glad that I saw them again here, where the sound was superb, and I was able to make a more informed judgement about them. They are a super-talented product of Lancaster and well worth a watch. Lead vocalist Steve Graham has a great set of pipes on him, and the Rhythmic work of Kev Yates on drums and Ben Macfarlane on bass is spot on and If you top that with some crunchy, groove laden and intricate guitars then you have a recipe for awesome. Rick said they were one of his top bands of the weekend and that he actually preferred hearing them live rather than on album.
Next up, and getting dangerously close to clashing with the most important game in the Rugby Calendar – Wales vs England in the Six Nations – were the Merseyside monsters, Deified! With as much punch as an angry gorilla on amphetamines with a score to settle, we LOVE these guys. We first saw them at the Christmas Mosh back in December, and were impressed then, but somehow, they were even better at this performance. Putting the OOO into groove metal, and the AAAaAAraragh into thrash, with an added spoonful of death metal vocals, they crushed our skulls continuously for their 45 minute set, and left us all wanting more. Fair play to these guys – they kept the crowd until the end of the set, and put everyone in a great mood!
The next set was delayed, because of a small matter of one of the best Rugby games in recent years playing out on the big screen in the bar, and everybody, including the bands and the event organisers wanting to watch it! It was nail-biting, but Wales managed to overcome England! CYMRU AM BYTH!!!!!!! (Apologies to the English members amongst the merry gathering, but it was a damn fine game, and the best team won! We still love you though).
Frozen In Shadows
I was a bit like a child with a new toy when I found out Frozen In Shadows were playing at Pentre Fest – I couldn’t wait for Rick to see them after they totally destroyed my mind with their immenseness at Badgerfest last year. They were once again brilliant! They are excitingly heavy, and it makes every bone and sinew in your body vibrate with their power. For me they are the epitome of a super group. Incredibly talented musicians from other bands, coming together to do something magical that plays to each of their strengths. They are incredible to watch, with so much energy, passion and technique, that I am quite sure they will blow me away every time I see them. I don’t really think I need to say any more than that!
After seeing these guys as a full band at Amplified 2018, and seeing lead singer Kieran guesting with Mad Spanner on a number of occasions, we knew what these guys were about, and they lived up to their Amplified performance of last year, which was fab. They are super technical and tight, and Kieran’s growly death metal vocals punch you in the face like a street fighter on steroids! They are brutal as, and always fill the stage with energy. The local crowd love these guys, and it is easy to see why, when they deliver a belting performance every time, and this was no exception.
Filling the main support slot were last years M2TM North Wales winners, and all-round lovely folk, Cadence Noir, bringing their unique ‘Gothic Folk ‘n’ Roll’ to Deeside. I love these guys, and it is always a pleasure to watch them play, especially when they have a full quota of members, as they did tonight, with Nick on guitar making up the quintet. The thing that makes me love them is the way they blend heavy metal riffs, with folk melodies, and lamenting violin with crunchy distorted guitars. They put on a great show for everyone again here, whipping up the hall into good old jig! Speaking to frontman Ade after the show, he said that he was happy with the performance, and that it felt good – that was definitely transmitted to the room, because it sounded good too.
So, to the headliners. We had watched these guys earlier in the day doing an ‘acoustic’ (lol) set on the acoustic stage, so knew they were going to be heavy and loud as fuuuuuuck! They were. Crazy energy, meets brain shattering vocals, meets speed drumming, meets everything turned up to eleven, with a side helping of so much hair it would make bald men weep! I seriously thought that my skin might disintegrate, and needed to go hunting for my ear drums, which I could only assume had ended up somewhere in the car park! Whilst musically these guys aren’t really me cup of tea, tipping the scales into the realms of too heavy, they are very adept at their style and they are also endearing chaps who all have a great sense of humour. Good to watch, and if you like to feel like your whole body has been in an industrial tumble dryer, then you definitely need to look them up.
One thing that we have touched upon throughout this, but not gone into detail about was the Acoustic Stage, run over both days, by the one and only Edd Case, a stalwart of the local scene, with an immense passion not just for music, but for supporting underground, unsigned and local talent. His acoustic stage showcased a number of local acts: Neill Murphy, Captain Andy, The Hairy Bitches, and Zanda Stone, along with acoustic sets from Adam Robinson of Cheerfully Undiagnosed, Ade and Emma from Cadence Noir who pulled off an immense cover of AC/DC’s ‘Thunderstruck’, and a full on acoustic set, complete with a bin lid bass drum, from Sodomized Cadaver, which is possibly the funniest acoustic set I have ever seen. Edd himself also did a few turns on the stage, closing the proceedings by doing his final set with his pants round his ankles! Clearly one of those, ‘it seemed like a good idea at the time’ moments, as it was a little chilly! It was a brilliant side attraction to the main event, and a great place to chill out and have a right old giggle between bands. I definitely would like to see this return next year.
One other thing that I need to mention, before I stop waxing lyrical about what a brilliant weekend we had, was the sound quality. For every single band, throughout the weekend, on both the main and acoustic stages, the sound was completely faultless. With the diverse line-up, this was no mean feat, and a special mention needs to be given to LA1 Audio’s Edward Davies who absolutely stepped up to the plate and worked like a Trojan all weekend. A special thank you must also be given to Ian ‘Fozzy’ Forrester and Ian ‘Beany’ North, for putting on yet another brilliant show in their tireless pursuit of bringing Metal back to North Wales. They both do a sterling job, and the local scene owes a lot to their dedication – thanks again guys. Bring on next year – HELL YEAH!!!
Disclaimer: This review is solely the property of Rick Tilley and Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
All photos courtesy of Beth Jones and PhotograBee Images