Interview with Gravehuffer

NecroEclosion Album Cover Art

Interview with Gravehuffer
By Victor Augusto

My lack of creativity in writing introductions is nothing new for all the readers of Ever Metal (by the way I am copying this intro from my review), but today I have to repeat something that I often mention in introductions to my reviews. This is how amazing it is seeing a band’s evolution while I have the pleasure to follow them, releasing their albums, since they have formed. Of course, Gravehuffer (from Joplin, Missouri) are not a young band and they are very experienced musicians, but I am the lucky guy who has reviewed all of their albums since 2017 and I have to say that Gravehuffer is one of the most intriguing and challenging bands that I have reviewed so far. 

I had the pleasure to talk with the guitarist Ritchie Randall to dig deeply on how they achieved such an amazing result on their last album “NecroEclosion”. 

Victor Augusto: I confess that I tried to find the meaning of album’s title, but I couldn’t understand it. Could you explain the definition of the word NecroEclosion?

Ritchie Randall: It means to emerge from a cocoon of death. We were going through the pandemic, lost our singer and had to cancel a lot of shows at the time. It all went into the sound of the record. 

Victor Augusto: NecroEclosion, for me, is a pure American album. Not that the album is just for American listeners, but it is a hard criticism of things from your country. You talk about those who stayed at sea a long time during the colonization, also about the disco music and even the NASA missions off of earth, but it’s always related to the USA. Was your intention to be focused on American history or American culture, or did it just happens naturally?

Ritchie Randall: That’s an interesting observation! I never thought of it that way. It was definitely not our intention, but it could relate to all of the upheaval going on in the United States at the time we wrote the album. So, I guess to answer your question, it happened naturally. 

Victor Augusto: There is the typical acid humor that Gravehuffer always uses in the best way, as you hear in ‘Death Before Disco’. It starts with a funny version of ‘You Should Be Dancing’, from the Bee Gees, that shows the wreck that Disco music made of the music industry decades ago. It also criticizes the cocaine and other stuff involved with those who were part of the scene. I think it also shows how we have plenty of excellent and varied material here, and I am not talking about that stuff from Disco clubs, that could make Robocop (with rusty hinges) dance like hell! Could you talk about this sense of humour and about this song?

Ritchie Randall: I think we always have that cheeky sense of humour going on throughout all of our records. How it manifests into a song can vary a lot though. Mike (Jilge), our bassist, has been wanting to do the ‘Death Before Disco’ idea as long as I can remember. We’re talking since the late 90’s! He learned the bass line for the Bee Gees song and so at that point, we had to do it ha ha ha! It was a lot of fun to step out of our comfort zone for a minute there. Travis came up with the idea for the lyrics to be about the disco culture of the 70’s and how it tried to ruin the music scene.

Victor Augusto: You also talks about serious historical subject for example in ‘Ghost Dance’, which is about the mass killing of the Native Americans in the USA. The backing vocals, like the ghost of the indigenous ancestors screaming for help to anyone who could stand and fight. Melodies bring the feeling of a ‘last breath of hope’ amongst all the chaos that sadly didn’t save them from the coward’s killing. Was the band’s intention to bring all these emotions for the song?

Ritchie Randall: Yes, it was. We had the subject matter of the Wounded Knee Massacre already picked for a song, and we wrote the music to specifically fit with what happened. It was very emotional to write. It’s something that means a lot to us, being from the United States. We haven’t always treated people the best ever though we’re a nation of immigrants. Travis (McKenzie – Vocals) once again came up with the lyrics and really did a fantastic job! We let a few of our Native American friends listen to it before it was released, and they really thought we did that part of their history justice.

Victor Augusto: ‘Custom Of The Sea’ also has a serious subject. It is about those who stayed at sea a long time during the colonization. Many people went mad and died. By the way it is a perfect song to understand the bands sonority! Could you explain this track? 

Ritchie Randall: Sure, it’s about cannibalism at sea and how it was basically allowed until a trial outlawed it. We just thought it sounded like such an intense thing to go through! I saw an article on the internet about it and wanted the band to write a song that put you in the headspace of the people who were living through it. We had no idea that took place back then. It was actually called the ‘custom of the sea’ and it happened very regularly. If the sailors ran out of rations, they would kill the people who were the sickest and eat them. 

Victor Augusto: Musically, you are not restricted to only one genre and you are getting heavier with each album release, even though you keep your main spirit of Crust / Hardcore and Thrash Metal. For example: ‘Quarantine Death Machine’ reminds me of Sepultura when playing Hardcore. ‘Smaller Than Death’ has a Doomy side. ‘Stingray’ is more Punk Rock in style, but it is very heavy as well. Gravehuffer is a band that always wants to surprise their fans. What makes you always want to play whatever you want, no matter the style?

Ritchie Randall: Thanks! We basically write how we are feeling at that particular time and it translates to the sound of the music. Sometimes we are feeling in a good mood, sometimes we are angry, sometimes we are bummed out, it just depends on what is happening in our lives at that time. The only rule in this band is there are no rules!

Victor Augusto: This new album is pretty organic and raw, of course it is amazingly well recorded. It is funny because in an age that most of the bands prefer to do a much-digitalized production, you went against this trend. Is it a pattern for Gravehuffer or do you think that the compositions asked for this raw production?

Ritchie Randall: Thank you once again! It’s a little bit of both actually. We come from the era of bands that had that more raw production. There are times when we will hear a band with polished production and then see them live and they sound nothing like their record. We want our live sound to translate to our albums. We’re a loud, aggressive, and intense band and we want the production to match that.

Victor Augusto: It is funny because I’ve already heard the album, to review, since October or September of 2020. I took a long time to listen to it because I was involved with other things in the end of the last year. But I clearly remember the post of a review that totally showed a person who didn’t understand the band’s idea and talked a lot of crazy things. It pissed me off and made me want to go deeper into this album to write the best review ever that I could, considering my limitations ha ha ha ha! How do you handle with these kinds of things coming from magazines and people connected to journalism?

Ritchie Randall: Your review is fantastic and also we appreciate that you think highly of the album to include on your 2021 albums of the year list! Bad reviews are rare for us thankfully, but when they do happen, they tend to be a little bit short sighted. They don’t really ‘get’ what we are doing it seems. That’s OK really. We understand we’re not for everyone. There was one that we made an example of because they got a little bit personal in the review and that’s not cool. Other than that, we don’t mind. We just appreciate that people are taking the time to listen and write their thoughts about our music!

Victor Augusto: We first meet each other when we were at Sare’s Invasion radio show. By the way Sara was the person who told me about Ever Metal. Since then, I have reviewed all of Gravehuffer’s albums and you don’t leave more than 2 years without a new release. How is the composition process working to have so much good material in a short spaces of time?

Ritchie Randall: Yeah it’s been great being a part of the family at Sare’s Invasion! We are always writing, practically every couple of weeks we’ll have new ideas to present to each other. Our phones and computers have hundreds of riffs, lyrics, melodies, beats, you name it! We have stuff from 7 or 8 years ago still sitting around. We may use it, we may not, but it’s nice to have that wealth of material to have at our disposal.

Victor Augusto: You started touring just in this year, after all issues from COVID during 2020 and 2021. How are the shows so far? Do you have any intention to tour outside of the US, such as a European tour?

Ritchie Randall: The shows have been good. A few great ones too! Attendance is still on the lower side, but I think people are just being cautious and that’s OK. Regardless, we have a blast and love meeting new people and playing our music for them! We do plan to play outside the US, it’s just the cost and timing that we have to figure out, but we are actively pursuing it!

Victor Augusto: Over all these years playing in a band, what was the band’s achievement which made you feel most proud of that’s worth all the hard work so far?

Ritchie Randall: Probably putting out vinyl. That was something I never thought I would do! It’s always been one of the dreams! NecroEclosion in particular. Just wait for our next record. It’s really going to raise the bar! We can’t wait for people to hear it!

Victor Augusto: Thanks for your time. I really hope to see you in concert someday. For sure I will be on the front row and screaming whilst you play, like the stupid crazy fan that I am. Please let your us know your final considerations for your fans and for Ever Metal’s readers, also the plans for the future.

Ritchie Randall: Thank you for the insightful questions! This was a lot of fun! We would LOVE to play Brazil! Wow that would be amazing! As far as the future, we are finishing up this new record that has a 21-minute epic song about Dante’s Divine Comedy, and another side of our crazy antics. Kam Lee from Massacre and James Murphy (Death, Testament, Obituary, Cancer, etc.) is playing lead guitar on the Dante song! Many more shows as well! Cheers! 

LINKS:

Gravehuffer Promo Pic

Disclaimer: This interview is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Victor’s Top 10 Releases of 2021

Victor’s Top 10 Releases Of 2021
by Victor Augusto

It’s that time of year again, where we reminisce about the days gone by, and the music we have heard. Here are Victor’s picks of the best, along with some special mentions. Have a run through his countdown to find out what his number 1 album of the year is.

10 – Gojira – “Fortitude”

Gojira - Fortitude Cover Art

https://www.facebook.com/GojiraMusic

09 – Exodus – “Persona Non Grata”

Exodus – "Persona Non Grata" Album Cover Art

https://www.facebook.com/exodusattack

08 – Hate – “Rugia”

Hate – "Rugia" Album Cover Art

https://www.facebook.com/HATEOFFICIAL

07 – Gravehuffer – “NecroEclosion”

Gravehuffer – "NecroEclosion" Album Cover Art

https://www.facebook.com/gravehuffer

06 – Venomous – “Tribus”

Venomous – "Tribus" EP Cover Art

https://www.facebook.com/venomousoficial/

05 – Infrared – “From the Black Swamp”

Infrared - "From the Black Swamp" Album Cover Art

https://www.facebook.com/infraredmetal

04 – Sepultura – “SepulQuarta”

Sepultura – "SepulQuarta" Album Cover Art

https://www.facebook.com/sepultura

03 – The Crown – “Royal Destroyer”

The Crown - "Royal Destroyer" Album Cover Art

https://www.facebook.com/thecrownofficial

02 – At The Gates – “The Nightmare Of Being”

02 – At The Gates - "The Nightmare Of Being" Album Cover Art

https://www.facebook.com/AtTheGatesOfficial

01 – 1914 – “Where Fear And Weapons Meet”

Where Fear And Weapons Meet Album  Cover Art

https://www.facebook.com/1914band

Special mentions to:
Raphael Olmos – “Make Riff, Not War”
Crypta – “Echoes Of The Soul”
Nervosa – “Perpetual Chaos”

Read Victor’s reviews for some of these great albums here:

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Gravehuffer – NecroEclosion

NecroEclosion Cover Art

Gravehuffer – NecroEclosion
Black Doomba Records
Release Date: 15/01/2021
Running Time: 46:04
Review by Victor Augusto
9/10

My lack of creativity to write introductions is nothing new for all the readers of Ever Metal, but today I have to repeat something that I often mention in this part of my reviews. How amazing it is seeing a band’s evolution when I have the pleasure to follow them, releasing albums, since they formed. Of course, Gravehuffer, from Joplin, Missouri, are not a young band and they have very experienced musicians, but I am the lucky guy who has reviewed all of their albums since 2017, and I have to say that Gravehuffer is one of the most intriguing and challenging bands that I have reviewed so far. Let me try to explain what I am saying.

First! “NecroEclosion” is the band’s best album in my opinion! When I discovered Gravehuffer in 2017, with the “Your Fault” album, I thought they were more a Crust/Hardcore band at that time. After seeing some reviews of them, I realized that they played more than just one or two genres. They have a great mix of Extreme metal allied with their roots in Punk/Crust/Hardcore/ or whatever you want to call them. With this album, the band have explored all blends of those genres at their extreme. From Punk Rock to the non-faceless* (I will explain this later) blast beats of good Death Metal. Yes. You will have fun with it at the end of this review!

Second! This is a pure American album in terms of its concept or context. I talk regularly about the pure things of my country, but this time I tried to enter into the head of an American citizen to understand all the lyrics and all of their criticism. Lyrically this is an ocean of interesting themes. The first song ‘Custom Of The Sea’ is enough to understand Gravehuffer’s music. It is about those who stayed at sea a long time during the colonization. Many people went mad and died. Musically, you can hear all the aggressiveness of the band in this song with all the fast broken tempos from good Grindcore that sometimes slows down with a Doom influence. Everything offers an intense and dark atmosphere.

Third! There is the typical acid humor that Gravehuffer always use in the best way, as you hear in ‘Death Before Disco’. It starts with a funny version of ‘You Should Be Dancing’, from the Bee Gees, that shows the wreck that Disco music made of the music industry decades ago. It also criticizes the cocaine stuff involved with those who were part of it. I love the pure Grindcore and heavy killer intro after this creepy, funny parody intro. It could easily put the entire venue down if Gravehuffer plays it live! Still with good humor, the short ‘Stingray’ is more Punk Rock in style, but full of great, small solos. Yes, we have plenty of excellent and different stuff here, and I am not talking about that stuff from Disco clubs, that could make Robocop (with rusty hinges) dance like hell! (That sounds like me when I’m dancing – Rick)

Fourth (if I haven’t lost count). The Doomy side of the band appears in ‘Smaller Than Death’. ‘Ghost Dance’ also keeps the dark feeling, but it has an important message about the mass killing of the Native American Indians in the USA. Despite this song having more of a Thrash Metal sonority, it carries some backing vocals, like the ghost of the Indians ancestors screaming for help to anyone who could stand and fight. Melodies bring the feeling of a ‘last breath of hope’ amongst all the chaos, that sadly didn’t save them from the cowards killing. There are good historical and political facts explored here!

Fifth! After the pure hardcore song ‘Quarantine Death Machine’, that even reminded me of Sepultura in some parts, you get the dramatic song ‘Causes’ that sounds like someone has already given up on his life. We also have ‘Mad Wolf’ that is about a Japanese movie/manga series ‘Lone Wolf and Cub’. And what about Dan ‘Chewy’ Mongrain (Voivod) doing an epic solo on ‘Sight To The Sky’ or the Curran Murphy (Annihilator, Nevermore) ‘Smaller Than Death’ solo? Do you remember when I said about the ocean of different subjects or plenty of styles that the band play?

Last (almost…)! What I love about Gravehuffer is the total open mindedness of them to explore whatever they want. They could easily be called a “Whatever metal / hardcore” band to describe their music. This raw sonority allied with all the insane changes of rhythm and atmosphere they create is the perfect face of Gravehuffer. “NecroEclosion” is the band at their prime with inspiration and composition. They are secure of what they are doing, being audacious and without any fear to try new sonorities and arrangements. It is pure Thrash! It is pure Hardcore! It is pure Grindcore! It is pure Death Metal! It is pure Crust! It is pure whatever you want to call them and it is great!

This review finishes here, but don’t fool yourselves. The non-official truth about this album comes from the next and ‘true’ last paragraph.

*This last paragraph is a joke about bloody reviewers that are so lazy, they fail to understand some band’s sonority and write stupid things without doing any research. The quoted parts are from a review that should have stayed buried!

The band’s music is not even close to being “terrible”. Maybe the “not so hot production” is because the band intended the album to be dark and cold. Do you want hot things? (I will not suggest what you should try in respect of our readers)! Try not to be a faceless reviewer. First, we have a lot of context here, and you haven’t woken your ass up from your sofa to do any research about it. The blast beats are not a “total joke” they are pure and natural, with a huge amount of power…you don’t have the brain to understand what a triggered drum is or isn’t. “No catchy riffs”? No, no, no! Probably, no catchy ears on your head!… “band brought an empty meal to the table on Thanksgiving”! Do you want a full meal for your Thanksgiving (If your diet is not so restrictive, of course)? Try to learn how to understand a band first, otherwise, you can work on another job or hobby. Our Thanksgiving will be better without lazy “reviewers”! Writing reviews just to publish something, without any research to understand is wrong…I guess any person with an “F” grade on a school graduation/exam can do a better job than you! Have a good 2021!

TRACKLISTING:
01. Custom Of The Sea
02. Hellhound
03. Sights To The Sky
04. Death Before Disco
05. Stingray
06. Smaller Than Death
07. Ghost Dance
08. Quarantine Death Machine
09. Causes
10. Backpack
11. Mad Wolf

LINE-UP:
Travis McKenzie – Vocals
Ritchie Randall – Guitar/Vocals
Mike Jilge – Bass
Jay Willis – Drums/Vocals

LINKS:

Gravehuffer Promo Pic

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with GRAVEHUFFER

EMQ’s with GRAVEHUFFER

Hi everyone! Welcome to our new EMQ’s interview with Joplin, Missouri, US based Metal/Crust band, Gravehuffer. Huge thanks to guitarist Ritchie Randall for taking part!

What is your name, what do you play, and can you tell us a little bit about the history of the band?

My name is Ritchie Randall and I play guitar and yell in the background for Gravehuffer. We’ve been doing this band since 2008, under the name KROM. We changed it to Gravehuffer in 2012, due to getting confused with other KROM’s out there. We have two full-length albums (“Blasphemusic”, & “Your Fault”) a vinyl EP (“Demon Face/Stalingrad’s Cross”) and are getting ready to release our third full length “NecroEclosion” on January 15th, 2021.

How did you come up with your band name?

Our friend Dozer came up with it for a band he was going to start but it never got off the ground. We always thought it sounded cool so we asked him if we could use it haha! He said we could on one condition: to give him free Gravehuffer merch occasionally.

What Country/Region are you from and what is the Metal/Rock scene like there?

We’re from the United States, in the city of Joplin, state of Missouri. It’s in the middle of the country, often what is considered the Ozarks. The scene here is pretty cool, especially since we’re not too far from even bigger scenes such as Oklahoma City/Tulsa Oklahoma, Northwest Arkansas, Little Rock, Kansas City, Lawrence/Topeka, Springfield, and Saint Louis. Lots of bands hit these cities up when they tour. There are lots of bands in all of these areas and the scenes are all pretty solid and work well together.

What is your latest release? (Album, EP, Single, Video)

It is a vinyl EP via NoSlip Records called “Demon Face/Stalingrad’s Cross”. It was released September of 2019 on four different vinyl colours (white, smoky marbling, white w/ black splatter, and black w/ white splatter).

‘Demon Face’

Who have been your greatest influences?

Black Sabbath, Judas Priest, Ramones, Venom, Suicidal Tendencies, Iron Maiden, Nausea, Napalm Death, Brutal Truth, Motörhead, Morbid Angel, Metallica, Darkthrone, Voivod, the list goes on…

What first got you into music?

Definitely Deep Purple and Judas Priest. My parents were really into them and even named me after Ritchie Blackmore. I saw the cover of “Unleashed In The East” and that’s when I knew I wanted to play music.

If you could collaborate with a current band or musician who would it be?

Probably Trey Azagthoth from Morbid Angel.

If you could play any festival in the world, which would you choose and why?

Wacken. It just seems to resonate the most with our style of music, and we all want to go to Germany!

What’s the weirdest gift you have ever received from a fan?

We got paid in marijuana instead of money for playing a show once hahaha.

If you had one message for your fans, what would it be?

Thanks for supporting us all these years and have patience, the live gigs will be back before you know it.

If you could bring one rock star back from the dead, who would it be?

That’s a tough one. Probably Randy Rhoads.

What do you enjoy the most about being a musician? And what do you hate?

Playing shows is my favourite part of it for sure. Traveling can get tedious so that’s probably my least enjoyable aspect of it. Even still, the travel can be cool depending on where you’re going.

If you could change one thing about the music industry, what would it be?

The way ticket sales are handled is not the best. Scalpers are still running the enjoyment too. Streaming sites should pay the artists a lot better. It really seems like greed and profit get in the way, but what else is new, right?! Hahaha!

Name one of your all-time favourite albums?

Judas Priest – “Sad Wings Of Destiny”. It’s pretty much where ‘heavy metal’ as we know it was born.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl. It has that physical aspect you don’t get anywhere else. There’s the artwork that you can get lost in, the vinyl itself can also be a piece of art, and it’s all about the ‘experience’ of the music that is represented the way the artist intended it to be.

What’s the best gig that you have played to date?

Either the time we opened for D.R.I. or the time when there was sword fighting instead of moshing in the pit while we were playing. That was insane! People brought foam clubs, swords, shields, and other ‘weapons’ and just went at it medieval style the whole show! The D.R.I. show was just a blast and quite the large and fun crowd so we were just on stage inspired by all of that the whole time.

If you weren’t a musician, what else would you be doing?

I’ve always loved being in nature so probably something to do with conservation. The planet gives so much and we really need to treat it better than we do now.

Which five people would you invite to a dinner party?

Rob Halford, Lemmy, Tony Iommi, Devin Townsend, and YOU.

What’s next for the band?

We’re ramping up promotion for the “NecroEclosion” album so that’s taking up all of our time for the next few months. We have three videos in the works, a live stream event, some live play throughs of the new singles, interviews, and booking shows for next year. We have a handful booked already, with one even taking us out of the country.

What Social Media/Website links do you use to get your music out to people?

www.facebook.com/gravehuffer
www.gravehuffer.bandcamp.com
www.reverbnation.com/gravehuffer
www.soundcloud.com/gravehuffer
www.youtube.com/krommetal
www.twitter.com/gravehuffer
www.instagram.com/gravehuffer

Jaffa Cakes? Are they a cake or a biscuit?

A biscuit, and they are delicious!

Thank you for your time. Is there anything else that you would like to add?

Thanks again for having me and look forward to hearing what you think of “NecroEclosion”!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Gravehuffer – Your Fault

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Gravehuffer – Your Fault
Reality Impaired Recordings
Release Date: 30/12/2016
Running Time: 30:17
Review by Dawn King
7/10

Not one to shy away from stepping outside my comfort zone, when Ritchie Randall, guitarist with Gravehuffer, approached me to review their latest album, I said “yes” straight away. Having heard tracks played on the station I DJ for, I knew it was not the type of metal I usually go for but that in itself made the review more of a challenge. Could I be impartial about a genre of metal that wasn’t one of my favourites? The answer was simply yes!

Hailing from Joplin, Missouri, Gravehuffer officially formed in 2010, although they originally started out in August 2008 under the name of Krom and Your Fault is the latest offering from this American quartet.

Often described as NWOBHM meets early Earache Records, this is a thrash/grindcore/crust band that seems to have a bit of everything thrown in. On their Facebook page they describe themselves as a ‘Metal/Punk band’ but throw in a bit of thrash, a pinch of death, lashings of hardcore and a spoonful of punk and you’d be a lot nearer the mark.

With eleven tracks totalling just 30 minutes, giving this album a spin won’t take up too much of your time, unless, of course, you get mesmerised by the lure of the album and the songs get stuck in your head! Because they will!

Some tracks are under a minute long, short and punchy, and will make your ears bleed, but this is by no means a bad thing. Your head will be banging from the offset and if it is not rolling around the floor by the time the last track kicks in you haven’t been listening properly. They mix fast Slayer-esque tracks, with vocals even more edgy than those of the big man himself, well with slower-paced, often doomier tracks and musically these guys are awesome. The drumming is tight, and fast, an all-out physical attack on the kit, the bass lines are fantastic and the guitar work is just amazing. Vocally, it’s not something I would usually like, but James’ voice works well with the rest of the band and this helps to produce their unique sound.

This is a high energy, in your face brutal metal album and one that does not let up from start to finish. It is a total onslaught on your ears, a bombardment of drums, dirty guitars and even dirtier vocals, and if this doesn’t have you reaching for the Gravehuffer back catalogue then nothing will.

Great job!

TRACKLISTING:
1. Gravehuffer (4:27)
2. Of Fish and Men (1:42)
3. Kill For Sport (3:12)
4. Dead Peace (0:49)
5. Shut Up and Skate (2:04)
6. Powers That Be (3:14)
7. Destroyer of Worlds (3:43)
8. Death Caprice (1:10)
9. Worms Of God (2:22)
10. Prince with a Thousand Enemies (2:16)
11. Chains Around You (5:37)

LINE-UP:
Larry Deardoff – drums
James Hiser – vocals
Mike Jilge – bass
Ritchie Randall – guitar

LINKS:

Disclaimer: This review is solely the property of Dawn ‘The Metal Priestess’ King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.