UK Subs – XXIV/Yellow Leader Reissues

UK Subs – XXIV/Yellow Leader Reissues
Captain Oi/Cherry Red Records
Release Date: XXIV10/06/2022
Yellow Leader08/07/2022
Running time: 38:00/ 52:00
Review by Alun Jones
Yellow Leader: 8.5/10

Recap time: regular readers may remember that yours truly recently reviewed the re-issue of “Work in Progress” by punk veterans UK Subs.  You may also recall that that album covered the letter W in the bands ongoing mission to release an album for every letter of the alphabet.  Well, the good news is that Captain Oi/Cherry Red Records are also releasing the next two instalments in the series – that’s the letters X and Y (but you knew that).

Working through chronologically, we have “XXIV” – which the lovely record company peeps have released on drool-worthy double 10” vinyl, one green, one clear.  Yummy.  Our first song is an absolute belter: the full-on turbo romp ‘Implosion 77’.  Hold on tight and buckle up!  There’s plenty more fast’n’nasty thrills on offer too: ‘Speed’ has a merciless UK82 vibe; ‘Monkeys’ has a classic Subs singalong chorus; ‘Garden of Good & Evil’ is another pogo-till-your-pants-fall-off rocker.

There’s some well-placed variety too, with the harmonica adorned political thrust of ‘Coalition Government Blues’, and Bo Diddley swagger of ‘Wreckin’ Ball’ – both showing hints of the bands R’n’B origins (like as in, what R’n’B used to be).  Lyrically there are plenty of targets for Charlie to attack, both politically and socially.  ‘Memento Mori’ finishes the album off with one most aggressive tunes on offer, leaving us with a great album of 14 adrenaline infused songs.

“Yellow Leader” follows in a similar fashion, featuring 18 songs (whereas the original vinyl was cut to just 14 due to running times).  To be released on slinky, divine double 10” vinyl (one red, one turquoise here), it’ll be a feast for the eyes and ears.  Again, the album is crammed with more relentless Punk Rock shenanigans like ‘Sick Velveteen’, ‘Chemical’ and ‘Heathens’, all of which will have you jumping around the room like a monkey on a lava stream.

As with the previous record, there’s plenty of other sounds and ideas here. The single ‘Sin City Blues’ has a killer rockabilly feel, and ‘Rebellion Song’ breaks out the acoustic guitar.  The only mis-step is ‘Archaeology’, a strange Post -Punk/ Goth style experiment that, while not awful, isn’t a total success.  All in all, the quality of music is impressively high and the recordings sound excellent.

And there you go, music lovers! Not one, but TWO albums of mighty UK Subs songs, lovingly compiled and curated by those nice folks at Captain Oi/Cherry Red Records.  You lucky people.  Pick ‘em up while you can, nobody is this fortunate twice.    


01. Implosion 77 
02. Coalition Government Blues 
03. Speed 
04. Rabid 
05. Monkeys 
06. Black Power Salute 
07. Las Vegas Wedding 
08. Stare At The Sun  
09. Garden Of Good And Evil 
10. Workers Revolution 
11. Wreckin’ Ball 
12. Detox 
13. Failed State 
14. Momento Mori 
15. Workers Beer Company

Yellow Leader:
01. Sick Velveteen 
02. Artificial 
03. Bordeaux Red 
04. Chemical 
05. Deconstruct 
06. Diatribe 
07. Feed The Whore 
08. Heathens 
09. Prime Evil 
10. Rebellion Song 
11. Sin City Blues 
12. Slave 
13. Big Bug 
14. Suicidal Girl 
15. Virus 
16. Cry Wolf 
17. Archaeology 
18. 611


Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Red Terror UK

Red Terror UK Logo

Interview with Red Terror UK
By Sheri Bicheno

Hi All! Sheri here. I’m back with another interview and this one is with Brighton/London based Punk band Red Terror UK!

Red Terror were formed in 2017 and as they put it, make noise about the UK government! Their self-titled EP, released in 2018, has helped them play live in some of the UK’s favourite Southern underground venues such as The Tavern, The Hope and Ruin, The Prince Albert, Bar 42 Worthing, The Pipeline, The Green Door Store and many more.

Read on to see what shenanigans they create, the concept behind their message in the EP and to never take things from strange men in large overcoats…

Sheri: So, we know Red Terror was unleashed in 2017! As with a lot of punk agendas, you have political confrontation in your music. Give our readers an insight into your background and how was Red Terror conceived?

Siri: Ahh hahaha it was initially conceived out of me, Joey and someone else wanting to have a bit of fun but it sorta just stopped. Then it came to a Uni assessment in the second year I think, and we needed to make a band as part of the assessment, so we just turned around and were like “you wanna give it another go?”. Then ended up getting J (Jed) into the band, who is not here right now haha – and then one thing led to another and we ended up with this somehow.

Ashwin: So, I filled in for a few shows and then it got into being like “look, just drum for us, already” haha which is fine!

*Jed enters the chat*

Jed: Sup?

Ashwin: J – can you give us a bit of backstory into Red Terror?

Siri: Sorry, can I just hold up a second – we’ve finally managed to get all four of us in the same place at the same time hahaha.

Jed: Absolutely beautiful haha. From what I gather, Joey, Siri and Connor who is our previous drummer, used to put on gigs and go on and play ‘Endless Nameless’ (Nirvana song) and I went to this gig in Worthing that Joey was playing and they were like “do you wanna join the band?” and I was like “Ok, I’ll give it a go”.

Joey: We made you sign a contract.

Jed: Did we actually have a contract?

Joey: Yeah, we made you sign a contract, so you are legally bound to be in Red Terror for the next 97 years hahaha.

Jed: Hahaha. Oh shit. I remember that night we went to rehearse over the bridge and we were just noisy bastards. Until eventually, it was like, about 6 months later, we started tightening up and we actually played a gig. Then after that it was basically every other week, right we’re playing this, we’re playing that and chaos and pints ensued…

Sheri: Where are you all based? Are you all in Brighton?

Joey: We were. I mean, the majority of us moved away from for one reason or another and we sort of just meet in London when we can. It’s kinda the middle for everyone.

Ashwin: Our most recordings are back in Brighton but the last few months we’ve been either in Earlsfield or East Croydon where we go up and do practises now. There was a time where we were all based in the same City and it was a lot easier haha.

Siri: Back in the day!

Ashwin: Siri is the only one who’s managed to keep their lifestyle in Brighton which is fair play because I couldn’t do that forever hahaha.

Sheri: As mentioned, your music is politically charged, for all the reasons the UK needs to hear! Give our readers your own thoughts into the message you’re putting out there?

Joey: So, I mean, I think a lot of it comes from me personally, I was at College kinda around the time when the Tory coalition with the Liberal Democrats started. I remember me and someone else at College were completely ripping into one of the College Tutors as she was Tory…and I think it comes from that frustration of no matter what anyone seems to do, we’re just stuck with the Tories through an indefinite amount of time. I think we know how to channel that through music and it turns out that a lot of people seem to agree with that. A lot of bands have a similar method. It becomes a place where people can vent their frustrations and we’re almost like…through us doing that, we’re giving others a platform to voice those opinions, I guess.

Siri: I’d say also that we come from varying different backgrounds and ways that the UK government and political spectrum has impacted us in different ways, like we all come from different backgrounds. I mean obviously being individuals of colour, so there’s multiple different reasons for our views about the government and about how it’s impacted us and such. Having that broad sort of spectrum, it helps us in our music to appeal and apply it to the rest of the UK and the rest of the world because it’s a reflection on not just us but everyone at the moment.

Joey: We have a lot of hate mail as well from right wingers for like…we haven’t even done anything for ages…we have the occasional inbox or like comment on our posts that try to “Cancel us” I guess… what was that one from that guy the other day?

Siri: That was madness. What was he on about?

Jed: He was clearly in the middle of having some kind of normal one haha. Just wanting to express that hahaha.

Sheri: So, these are the motives behind creating what Red Terror are essentially about. It’s like putting personal things into music.

Jed: Oh, spite! A lot of acts, compared to them, I think we are a lot more violent in terms of performance. Because, as Siri has got on his Bass headstock, “You gotta mind out for the flying bass” because he’s just throwing it everywhere! I mean, how many people have you actually maimed?

Siri: Hahaha. I’ve not actually maimed anyone! I nearly killed Joey…

Joey: Things can happen where we include Hannah, the ceiling at the Tavern in Exeter, me, J…

Siri: The bass itself.

Joey: Who was the person you smashed in the face? Who got like a massive lump? I think it was Meg…or was that from the ceiling?

Jed: Oh no that was the bar at The Tavern, I think.

Siri: That wasn’t me, that was the metal bit in front of the stage that fell down so that was not me hahaha. There was this metal bar in front of the stage and they were just rocking it back and forward until they just ripped it out of its socket. It just collapsed on top of Meg and everyone else.

Sheri: Death to everyone!

Joey: Almost simulating a revolution…

Jed: I think a lot of post punk bands are missing that kind of level of stupid edgy spite that the original run of punks kind of had before they all turned Tories haha. The aim is to keep it in the left camp.

Ashwin: I think what’s different about being in this band compared to other stuff I’ve been involved with, is that it’s guaranteed to be fun and have this unbridled chaos that ensues and it seems to feed off quite well no matter who we’re playing with. I think there’s a level of accessibility with the left-wing messages in there but it’s not to a point of being like “haha Orange Man bad.” “Haha, Tories bad.” Especially since recently, there’s stuff we’ve sung about that we’ve drawn more from personal experience as opposed to just being like “Uh, government bad.” or that we are Communist punk rock – it’s expanded a bit more since then which is really nice and it’s just a good outlet to have that more politically driven side of things rather than being someone who talks the talk on their social media but doesn’t actually do anything actively.

Sheri: Let’s talk about your releases – you released EP Red Terror in 2018 – Apart from your iconic 44 second ‘Jeremy Corbyn Ate My Homework’, my favourite track is ‘Parasite’, which focuses on the Theresa May governance. Take us through the back roads of the lyrical meaning to this EP.

Siri: I forgot the lyrics. Hahaha. Joey just makes the lyrics up on the spot haha.

Joey: It was around the time that Windrush and a lot of racist attacks were empowered by Brexit. Their society is about refugees basically and people sort of attacking them and newspapers demonizing people for leaving more poorer countries. I mean, ‘Whitehawk’ is just a silly and fun song basically about… just don’t be a c*nt and don’t hate other people for no reason. ‘Pop Music’ was the first song we ever wrote, actually. That was kind of when me, Siri and Connor used to practise, we used to cover some Greenday songs. Haha.

Siri: And Feeder wasn’t it?

Joey: Yeah, haha I think that’s where the influence for that came from and it almost turned into a piss take out of itself. Obviously, we wrote the song and I was like “How do we make this more cheesy?” So, I added a key change to the last chorus.

Ashwin: That one’s my favourite to play live because I always like adding the tempo to ridiculous speeds to the point where it’s three times as fast as it’s meant to be but during the recording, I’m like “but it needs to be faster, I’m going to make this faster because I started this god damn tempo off and I want some control in this part.” haha.

I think that’s the only one that has a relationship theme, the rest of them are very blatant with the theme!

Joey: Yeah, we have our obligatory pop-punk break up song for certain.

Sheri: When coming together to write Red Terror, in terms of songwriting, how did you find fitting the rawness and energy to amalgamate your message and your music?

Siri: I would say in terms of the music, it was never really like we got into the studio and there were plans to be a punk band. It just sort of a case of we got in there and was like “let’s just play something” and it ended up as Red Terror. All of us come from fairly different musical backgrounds. Like. Shwin, you’re more sort of noisy and shit. J, from my understanding you’re more sort of old wave, Talking Heads and stuff like that. The weird shit.

Jed: Power pop and stuff like that. I’ve been part of the writing process, I just thought I enjoy that a part of the energy in a song can be the chords and they can go to stupid places. Siri came up the riff for ‘Why Should I?’ Which is our next single. I came up with the chorus, so I just slapped some chords together – it sounds a little bit weird.

Siri: Hahaha. That’s the Red Terror style – just “slap some stuff together”.

Sheri: Just get stuck in haha.

Joey: Some of the earliest recordings, I have them, it sounds almost kinda like a lost Nirvana session where we’re just dicking around and that’s sorta how it started and it became more and more refined because we took bits out of it and kept those bits and sort of got rid of the bits where I was screaming into the microphone and where J was scratching at the guitar against the amp and stuff like that. We still kept some of those bits in, but they have their place now instead of being spontaneous.

Sheri: That’s part of the personality of it. If Red Terror were a drink, what would you be and why? Give our readers a comparison taste…


Hahahaha. I’m gonna say Buckfast! Absolute unadulterated fucking chaos and you never know what’s gonna happen with it hahaha. Sometimes chaos and sometimes WTF is happening haha.

Ashwin: I’m gonna go with Black Sambuca – Siri can explain this story as it’s very relevant to when headlined our last gig. Hahaha.

Joey: Wasn’t that Buckfast as well?

Jed: But would that mean that we are about to admit that we committed a crime? Hahaha. We don’t need to include that part hahaha.

Ashwin: So basically, we partied in this playground and there was a man who offered us Black Sambuca and £10 crack from his very large overcoats – think that is one of the weirdest experiences, we haven’t had anything as surreal as that. We didn’t drink it obviously but… hahaha.

Siri: That could be something to do with the next song haha.

Sheri: Try anything once I guess haha. There’s a picture that’s one of my favourites and it’s featuring Siri in a chair and a pile of chunder…So whatever drink has that effect, I agree hahaha.

*everyone bursts into laughter*

Siri: I think that was a dodgy burger!

Joey: Siri’s dad bought us all burgers from Gourmet Burger Kitchen and Siri ungratefully decided to throw it up. Hahaha.

*all laugh*.

Siri: I think I’d only had like two drinks and then when we played, I went absolutely H.A.M when we played and my body was just like “no, you have done too much”.

Joey: Were you screaming “I hate Gourmet Burger Kitchen” before you threw up, or did I make that up?

Siri: No hahaha.

Joey: How do I remember it? Hahaha.

Jed: After that gig we all had to go straight back home because we had to go to work the next day. I had to be in by 10am and I think I was still drunk.

Siri: And I was quite drunk, sitting in my dad’s car for about 2 hours all the way from Exeter. Clearly my Dad was just there like “WTF has my son become?” hahaha.

Sheri: As the live music scene has been majorly trampled on over the last year, I can imagine it’s been a pain to be as productive as you’d like. Have you been making any plans for when live gigs return to some normality?

Joey: It’s been discussed. We’ve a few ideas.

Siri: I think we’ve bounced around a couple of ideas but for the most part it’s been more that we don’t know when this is gonna end. Also, we would rather not be in a situation where we book something and then BANG, you’re in another lockdown.

Ashwin: I think the most frustrating thing last year was that it was very obvious gigs were getting rescheduled for September that it just wasn’t happening…and promoters were being really optimistic about that and it was pissing me off because there was no vaccine in sight, there’s no funding for these venues, most of these venues are having to do crowd funders to keep afloat and there was just no normality. I find that its weirder when we did practise and record stuff, as soon as lockdown was lifted the first time, people were going fresh into the practise phases and it kinda seems pointless because it’s like… the live shows that you want in that capacity are just not possible and if you are going to, you’re gonna have these shit sit down equivalents, which I get why people are doing, but for punk bands it’s just not the same.

If you’re an indie band or a solo Artist, I mean I don’t want to shit on people who are doing these socially distance gigs, I just feel like it’s better to wait until everything settles and you don’t feel guilty for playing these things because you’re not putting people at risk. Above all, if there’s something that’s gone away rather than “well, we can squeeze this in before another lockdown” I just don’t think that’s great.

Siri: What if we played gigs in Hazmat suits?

Sheri: Are you working on any new material that you can tell us about?

All: Yes!

Joey: Yeah, we’ve got a couple of songs and I’ve got a few ideas that we first started writing since the last full lockdown. Song called ‘Tram Man’. Which, is once again about a bad experience that Siri had…

Sheri: Why is it always you? Hahaha.

Siri: It was traumatising hahaha.

Ashwin: ‘Tram Man’ was made because of a practise that we had in East Croydon, where we got on the tram to get to the practise room and because in London, they don’t accept cash on public transport, Siri couldn’t just buy a ticket on the tram, so he got slapped with a £100 fine or something ridiculous like that and we just decided to write a song about it.

Jed: I’ve started writing lyrics in a way. The way it kinda turned out is just kinda like more anxiety about where technology is actually going and that it might actually leave us all behind. If you’re homeless and you wanna get about, what do you do? If you don’t have a credit card and where banks are going cashless, you’re kind of fucked.

Ashwin: Exactly…and that’s definitely increased over COVID and fuck knows what it will be like after this period where people are afraid – and I understand why because it’s handing things over. But also, I feel like it’s already hard enough for people in marginalised positions to you know, even have a fixed address for a bank account or even access to medication and so the idea, I guess in a larger way, is ‘The Tram Man’ is this unbeatable figure of aggression, essentially. Hahaha. No one really likes going on a train and figuring out that you don’t have the right ticket and then being charged extra for that so…it’s like an extended metaphor of that…

Sheri: Tell our readers how we can support you at the moment.

Joey: Ah, listening to us on Spotify and YouTube and sharing our stuff around. We haven’t really got any monetized revenue, really. I mean we’re a punk band so we’re not really doing this for money.

Ashwin: Even if we did anyway there’s no money to be had because that’s what life is like hahaha.

Joey: We’ve got merch; CD’s, T-shirts and stuff. So, if anyone wants to send us a message with their address, they can always buy a T-Shirt…or buy me a beer.

Siri: If you really wanna help us out, you can leave food out for the Racoons that make up the 4 people sat before you haha.

*all laugh*

Sheri: Send out food and beer hahaha. Do you have any other platforms apart from Facebook?

Jed: We’re on Spotify and Bandcamp.

Joey: And Instagram, Apple Music, Twitter page…

Jed: What we would like to encourage people to do is make a playlist and put it on loop and basically take as much money from Daniel Ek as possible…because he’s being a bastard hahaha.

Ashwin: To be honest, playlists are the best way of supporting people because not only are you helping your mates but you’re expanding music that people might not be familiar with. The thing with Spotify is that most of the similar sounding things are not to do with the sound itself, it’s to do with the sort of people that listen to your music. So, in my other bands, there’s loads of unrelated Artists that will come up as suggestions, but they happen to be what people are listening to at the time, so if you have a playlist of similar sounding things or different bands that have the same members as each other or something, that’s usually the best way of supporting. It also means that you don’t have to slog through you know, loads of other stuff if you just want to listen to one track etc. I think it’s really easy to be really cynical about Spotify and there’s this evil overlord’s thing…but I guess that platform is there, it’s convenient, it’s not going away so you might as well make good use of it.

Siri: The only reason your playlist is set up like that is because we all know that “Shoegaze” isn’t a real genre. Hahaha.

Jed: Playlist culture now is just a bit of bollocks…

Ashwin: Prove it. It increases your overall streams and I think there’s a way of doing it where it isn’t this contrived thing and I think that also having collaborative playlists where people can add their own – as long as it’s within reason and people aren’t silly with it and add like, I dunno, Gary Glitter or something stupid like that. Then you can make it a fun, collaborative thing to have so…

Siri: Now who’s talking about problematic Artists haha.

Jed: I’ve been working on my other project as well and part of that is that I’ve been doing a lot of the promotion for it, for the first time and I’ve been watching those little music videos about how you increase your reach; you go onto to submit your email to blogs, you do all this and that. I got added to one playlist out of all that and it’s got like 500 songs on it. So, I think it gets to the point sometimes where you just, a lot of the time, the desperation to be added to it gets to you. But I don’t see a better way of doing it.

Sheri: Not until some things get back to normality and you can physically promote yourselves. Finally, give some advice!

Ashwin: It’s about getting the balance right, don’t be afraid to self-promote because at the end of the day, unless you have all of these connections that you know, no one is gonna do it but yourself…on the other hand, I really object to people who add you on Facebook and then immediately be like “Hey, man. Come like my metal core band or…add you to an Instagram group with all of their friends that you’ve never met before and they’re like “Come watch our new music video!” So those things, bad. Sponsors, links or whatever – they might be a bit annoying, but they do work. Thing is getting over that anxiety of like “I’m in a band and I’m doing that.” or whatever and your friends might find it a bit annoying but…who fucking cares? They might be quite pleasantly surprised by it but just…self-promote but just be smart about it.

Joey: Yeah, dont; force your music upon people because they’re probably more likely to reject it straight away – even if you think it’s great, people don’t like adverts, generally. And I guess people don’t like being told what to do so any information out there for your music. I’m not even on Facebook anymore because I think it’s a load of shit but like…I share stuff to Instagram stories and stuff because people respond to it like “oh sick!”

Ashwin: Yeah, it’s more organic than just bombarding people with a load of shit. There’s a lot of stereotypes around DIY musicians where it’s easy to take the piss out of them because it is pretty cringe, but it is also the only way to promote…so…if all 4 of you are promoting at the same time, you share the embarrassment but if you’re doing it on your own, you’re sorta fucked hahaha.

Siri: It’s difficult when, if you do make a post and it will get lost in the sea of other posts going around from different bands or memes or whatever, it’s so easy for your stuff to get lost in that. So, it is really difficult unless you’re willing to fork out money to pay Zuckerberg to give you more reach.

Jed: I got banned from Facebook Ad’s recently. I don’t know how – I think what happened was that it came up with PayPal for two different things and I wasn’t getting an invoice for some of it, so I ended up blocking it and then I got banned from it cuz it’s just fucked how they operate it. I guess my advice is exist out of spite! If no one is listening, keep making it and you know, pay to like one person in a tiny basement with your trousers off cuz one day…

Ashwin: Hahaha. Why do they have to have their trousers off!?!

Jed: Cuz I mean, we’re not big. But there are still people who will come out to see us and I still get messages from people who are like “I recognise you through this thing” or Facebook groups and things like that. It’s a small world.

Joey: Yeah, me and Siri got recognised by someone and neither of us had any idea who they were.

Siri: I think that was after our first gig, we walked into an offie’ and some guy was like “You’re the guys from Red Terror!” and we were like YAAAAA!

Joey: Yeah? What’s it to ya haha!

Ashwin: And it wasn’t a threat, it was like OH MY GOD someone recognises us hahaha. WHY DO YOU KNOW US? Hahaha.

Joey: As long as you’re not a cop haha.

Ashwin: Yeah “You’re from Red Terror, you’re the ones that broke the mirrors last night.” hahaha. I just did that in a West Country accent and I have no idea why.

Sheri: Why not hahaha. Thanks so much guys, it’s been brilliant!

Red Terror: Thank you so much!

Red Terror are:
Siri Crawford – Bass
Joey Reeves – Vocals
Ashwin Bhandari – Drums
Jed – Guitar


Red Terror UK Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities



Hi everyone! Welcome to our new EMQ’s interview with Aberdeen, Scotland based Rock/Punk band Ugly Clinic. Huge thanks to guitarist Pete for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

I’m Pete the Riff, I play guitar in Ugly Clinic, and we are a rock and roll band. I already knew Bass player Davie X previously; we were both in a punk rock covers band. Richard (lead Guitar), Jed (drums) and Chloe (vocals) were recruited specially for Ugly Clinic because they are great musicians and they have the required rock n’ roll attitude!

How did you come up with your band name?

The name Ugly Clinic comes from an old Judge Dredd story in 2000AD comic. It’s the opposite of a beauty parlour, people go there to deliberately get ugly! As we generally despise all forms of bland, manufactured pretty-boy pop music, the name resonated with us.

What country are you from and what is the Metal/Rock scene like there?

We come from Aberdeenshire in the North of Scotland, which is quite a remote area, far away from London. Aberdeen is a college town with two universities, so there are a lot of young, creative people around. It’s a lovely place in the summer, but it’s cold and gloomy in the winter. I think because we are so far away from everywhere else, we aren’t so influenced by whatever the music industry decides to push as the latest trend, and people tend to pick their own style and stick with it. There’s a long Heavy Metal and Rock tradition in this part of the world, and a few decent bars and clubs to play in. In a lot of respects, it’s a bit like Seattle, but with less people!

What is your latest release? (Album, EP, Single, Video)

Our new single is called ‘Hot Knife’ and is available on all major download platforms now. We will be releasing more tunes from our debut album throughout the rest of this year.

Who have been your greatest influences?

We don’t copy anybody, or any specific era or genre. As a group of individuals, our personal tastes tend towards the Punk/Metal/Classic Rock/Goth. Our biggest influences are bands like The Damned, The Clash, Motorhead, AC/DC, Blondie, Pink, Buzzcocks, Hanoi Rocks.

What first got you into music?

At around age 15, it was listening to two albums that a friend of mine’s older brother had in his collection. The Ramones ‘’It’s Alive’’ and The Damned ‘’Machine Gun Etiquette’’. One live album, one studio. Both brilliant in their own way. We played them to death, and formed our own band soon after.

If you could collaborate with a current band or musician who would it be?

Captain Sensible from The Damned. Brilliant songwriter and a criminally under-rated guitar player.

If you could play any festival in the world, which would you choose and why?

For me, it has to be Glastonbury. I’ve been before as a fan, and just loved it. The atmosphere is truly unique, and the line-ups are so eclectic there’s something for everyone.

What’s the weirdest gift you have ever received from a fan?

A broken wah-wah pedal. I have no idea why.

If you had one message for your fans, what would it be?

Don’t be a cynic – join the Ugly Clinic!

If you could bring one rock star back from the dead, who would it be?

I wouldn’t do that. Coronavirus is bad enough; we don’t want a zombie outbreak on top of it.

What do you enjoy the most about being a musician? And what do you hate?

I enjoy recording in the studio, I find it very rewarding building tracks up from nothing into the finished article. The worst thing is hanging around waiting to play before gigs.

If you could change one thing about the music industry, what would it be?

I would make boy bands illegal.

Name one of your all-time favourite albums?

Television – “Marquee Moon”. I love the way Tom Verlaine plays guitar.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl without a doubt. Best sound reproduction and best format for artwork too. I love the smell of fresh vinyl in the morning!

What’s the best gig that you have played to date?

The Market Bar in Inverness. It’s tiny, like playing in someone’s front room. But the crowd are usually well up for it.

If you weren’t a musician, what else would you be doing?

Prime Minister. I could probably manage that. Boris can do it, so how hard can it be?

Which five people would you invite to a dinner party?

Churchill, Keith Moon, Harry Flashman, Socrates (the Brazilian footballer, not the philosopher) and Alexander the Great.

What’s next for the band?

We’ve already started making demos for Album number 2, and hopefully a whole lot of gigs once we are allowed to venture outside again.

What Social Media/Website links do you use to get your music out to people?

We are on Facebook and Instagram, and our music is available on all major download and streaming platforms.

Jaffa Cakes? Are they a cake or a biscuit?

Definitely a cake. The manufacturers went to a tax tribunal in 1991 to prove it. Also, the word biscuit comes from the Italian ‘’biscotti’, which in English means ‘’twice-cooked’’. Biscotti are supposed to be hard, and Jaffa cakes aren’t.

Thank you for your time. Is there anything else that you would like to add?

Beware of false biscuits passing themselves off as cakes!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQs with Attrition


Hi everyone! Welcome to our new EMQ’s interview with Coventry, UK based Industrial Post Punk outfit, Attrition. Huge thanks to founder and synth wizard, Martin Bowes, for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

Martin Bowes… I use electronics, synths and samplers and computers…whatever I need to make those sounds in ATTRITION!
We started in late 1980 as a post punk band of guitar bass and drums but soon changed to a more electronic sound, and since then have recorded and released a lot of albums and toured in a lot of the world. It’s been a wonderful ride…

How did you come up with your band name?

The band name was taken from “War of ATTRITION” a description of the first world war…a gradual wearing down of sides. My Grandad was wounded at Ypres on the western front in 1917, and I always had a strange fascination with that war. I even created an album of War poetry (from all sides) which I released in 2015 – “Millions of The Mouthless Dead” and was pleased to have a guest reading from Wolfgang Flur (Ex Kraftwerk) on that.

What country are you from and what is the Metal/Rock scene like there?

England! And it’s always been very big here. Even if I started in the punk scene, it’s crossed over now into so many genres.

What is your latest release (Album, EP, Single, Video)?

We released our new single ‘The Great Derailer’, at the end of January 2020. It’s available on CD single, streaming or download and the video has just been released. I’m pleased, it’s been a little while since the last release!
Listen to it here!
The album it is taken from, “The Black Maria”, will be out later this year, with another single around the same time.

Who have been your greatest influences?

Musically a mix of Punk, Electronics (the pioneers like Kraftwerk and Cabaret Voltaire but even later bands like Prodigy) and post punk – bands like Joy Division. I also compose soundtrack music (mostly for horror films), so I do like dark ambient and Neo-classical music as well, but I’m also influenced by art and film – usually surreal and emotional!

What first got you into music?

I always loved it as I grew up, in the 70’s, but hearing the Sex Pistols in 1977 was the time I knew I had to make music as well!

If you could collaborate with a current band or musician who would it be?

I never feel like that. I’ve worked with people in the past. I loved re-recording a version of the Adverts punk classic “Gary Gilmore’s Eyes” with lead singer TV Smith in 2000 (It finally came out in 2015), but on the whole, I work by myself with various guest musicians. It keeps it flexible.

If you could play any festival in the world, which would you choose and why?

I prefer clubs. Festivals can be fun – great parties, and great networking for a band, but in the end the best shows I’ve ever seen or played have been in small or medium size clubs – the atmosphere is so much more intense.

What’s the weirdest gift you have ever received from a fan?

I had a painting sent from a fan in Texas once – a really big one! I eventually used it as an album cover. (For “Wrapped in the Guise of my Friend”, the 2009 album of ATTRITION covers by other bands).

If you had one message for your fans, what would it be?

Thank you. I really appreciate anyone taking the time to listen and do drop me a line and let me know how the music makes you feel.

If you could bring one rock star back from the dead, who would it be?

Oh, I was about to say someone, but that question reminds me of Stephen Kings “Pet Sematary”….I think it could go horribly wrong!

What do you enjoy the most about being a musician? And what do you hate?

I love the adventures it has led me on. The travel, the experiences, the people I have met… all my friends are through music. But it’s a hard road to take and that can take its toll at times. Having to get through disappointments or just plain disasters, especially when on the road! But I’ve learned so much from it all. I wouldn’t have it any other way!

If you could change one thing about the music industry, what would it be?

Name one of your all-time favourite albums?

Roxy Music – “For Your Pleasure” (1973). I heard it as a young teenager and fell in love with it (and Bowie at the time). I still play it now “In every dream home a heartache” is incredible.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Haha! They are all useful, and streaming is too! Any way of listening to music is fine with me. the more the better!

What’s the best gig that you have played to date?

Lots of reasons why gigs are best. Been some amazing shows in out of the way places like a small bar in Indianapolis in 1999 – it was small but rammed! When we played Hawaii in 2017, I couldn’t believe they had flown us out there for 5 days for that! Amazing! Playing a converted Chinese restaurant in Siberia after 3 days getting there on the Trans-Siberian express was surreal. We played CBGB’s in 1999 but it was such a terrible place by then. I could go on….

If you weren’t a musician, what else would you be doing?

I started out as an art student. I did go back to painting for a few months in 1990, but I chose music. There’s nothing better I can think of. I actually run my own studio here in Coventry, The Cage, and work a lot on mastering and production for other bands and labels – my “day job” if you like to call it that – but still music.

What’s next for the band?

Well the album, next single… and I am setting up shows for the rest of 2020!
so far confirmed are:
April 3rd- The Tin, Coventry, UK
June 13th: Woodgothic Festival, Sao Thome Das Letras, Brazil
June 17th – Gothic Ba, Buenos Aires, Argentina
June 19th – Producciones Mortem Collections, Santiago de Chile
June 20th – Tumbas Eternas Producciones, Lima, Per
July – Manchester – tbc
August 20th– Feketa Zaj festival, Hungary
August 30th – Infest festival, UK
November 28th: Winter Ghosts Symposium, Whitby, UK
December 5th – Face Bar, Reading, UK

What Social Media/Website links do you use to get your music out to people?

These will work!

Jaffa Cakes? Are they a cake or a biscuit?

I don’t eat cakes or biscuits, so I have no idea at all!!!

Thank you for your time. Is there anything else that you would like to add?

Well thank you for the interview! And anyone interested in my work with ATTRITION, do drop me a line – always good to meet and talk with new people, it’s a big part of what it’s all about.#

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Pentre Fest 2020 – Day 2 22/02/20 – Adam Robinson (Cheerfully Undiagnosed)

Disclaimer: This photo album is solely the property of Beth Jones. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.