EMQ’s With Inherently Lost

Inherently Lost Logo

EMQ’s With Inherently Lost

Hi everyone! Welcome to another EMQs interview, this time with USA Melodic Black Metal band, Inherently Lost. Huge thanks to Joe, their Guitarist, for taking part. 

What is your name, what do you play and can you tell us a little bit about the history of the band? 

Hi, I’m Joe and I’m the guitarist. We started as a band between 2017- 18. Had a couple member changes since then, but we have our solid line up now. 

How did you come up with your band name? 

Our vocalist Mark was inspired by a book he was reading about how there is something in people and animals that are not learned behaviour, instinctual almost. Combined with the Lost state of humanity you get Inherently Lost 

What Country / Region are you from and what is the Metal / Rock scene like there? 

We are from Youngstown, Ohio in the U.S. and the scene is consistently growing here. 

What is your latest release?

Our latest single was just released early Febuary titled ‘Unraveling Sanity’, off our new full-length album titled “Art Of Corruption” which we’re shooting for an early June release on. 

Who have been your greatest influences? 

Oh, so so many personally. A few off the top of my head would be Black Sabbath, Tool, Godflesh, Gojira and Meshuggah. 

What first got you into music? 

Basically, just growing up with so much great rock / metal. Also, I always felt I had a knack for it. You can say music has always been in my blood, so to speak. 

If you could collaborate with a current band or musician who would it be? 

Justin K. Broadwick, from Godflesh /Jesu and so many other great projects. He’s just a brilliant musician. 

If you could play any festival in the world, which would you choose and why? 

I would say Hellfest in France. I’ve never been, but have seem some killer videos of bands playing there. 

What’s the weirdest gift you have ever received from a fan? 

Well, nothing weird that I can think of. But, give it time ha ha!

If you had one message for your fans, what would it be? 

Stay true to yourself and follow your passions. 

If you could bring one rock star back from the dead, who would it be? 

Jimi Hendrix. Would love to see what more he could have done musically, especially with all the cool gear we have available to us today. 

What do you enjoy the most about being a musician? And what do you hate? 

I enjoy creating the most. I don’t think there is anything I hate about it. Although, recording can sometimes get a bit tedious ha ha! 

If you could change one thing about the music industry, what would it be? 

That it would be more like it used to be. Where bands actually had support from labels. Also, with music being so easily accessible today, the market is over saturated with music. Which can also be a good thing. So, it’s a really tough thing to gauge. 

Name one of your all-time favourite albums? 

Ohh so tough to choose just one. I’ll go with Tool- AEnema. 

What’s best? Vinyl, Cassettes, CDs, or Downloads? 

Vinyl I feel captures the warmth and soul. Whereas CD’s are more cold, but yet more dynamic. So, somewhere between those two would be perfect actually. 

What’s the best gig that you have played to date? 

Our last gig at The Vortex in Cleveland, Ohio was great, and the line-up was killer. 

If you weren’t a musician, what else would you be doing? 

Probably still making art, but in a different form. 

Which five people would you invite to a dinner party? 

If past or present, I would say John Lennon, Jimi Hendrix, Jim Morrison, Syd Barrett and Elvis. 

What’s next for the band? 

Finishing up our new album and booking more shows. 

What Social Media / Website links do you use to get your music out to people? 

We’re on all the socials. We’re not hard to find ha ha. 

Time for a very British question now. As an alternative to the humble sandwich, is the correct name for a round piece of bread common in the UK either a Bap, a Barm (or Barm Cake), a Batch, a Bun, a Cob, a Muffin, a Roll or a Tea Cake? 

I’ll go with Barm.

Thank you for your time. Is there anything else that you would like to add? 

Keep an eye out for our new album and check out our newest single Unraveling Sanity available on all platforms!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hellripper – Warlocks Grim & Withered Hags

Warlocks Grim & Withered Hags Album Cover Art

Hellripper – Warlocks Grim & Withered Hags
Peaceville Records
Release Date: 17/02/23
Running Time: 41:07
Review by Rick Eaglestone
10/10

Sprawling with folklore infused fury, Scotland’s Hellripper return with their very highly anticipated third album “Warlocks Grim & Withered Hags”. There are just some albums, that when they are announced cause a warmth inside like the fires of hell and then they give you the first offering, album opener and blistering first “The Nuckelavee” represents the sound and vibe of the album perfectly and is based on the Orcadian tale of the eponymous creature – a grotesque and skinless horse-like demon that brings plague and death wherever it travels. This is followed by ’, The Deceiver’ which although not a furious as the albums starts still packs a punch.

Title track ‘Warlocks Grim & Withered Hags’ is slower and solo driven, taking inspiration from the poem ‘Address to the Deil’ by Robert Burns would slot in place very nicely in the battle of Dagorland and the addition of the bagpipes only adds another string to the Hellripper bow. Fear not, the pace once again quickens with the bringing in the punkier side with “Goat Vomit Nightmare.”

Mr McBain then fully engages Slayer mode from the opening riff to Tom Araya-esgue scream at the start ‘The Cursed Carrion Crown’ recounts a tale of a family of cannibals who lived in caves off the coast of Scotland does shift a few more gears as it progresses, and this paired the Motörhead-laden ‘The Hissing Marshes’ is easily my favourite section. 

The final two tracks ‘Poison Womb (The Curse of the Witch)’ and ‘Mester Stoor Worm’ have the very best Armageddon infused speed metal elements that are apparent in previous Hellripper releases especially previous album “The Affair of The Poisons”, but there is just something about this release that emphasises this more especially the combination of fury and Death / Black Metal style vocals in ‘Mester Stoor Worm’, which display a whirlwind of different influences not explored before.

I’m sure I won’t be the only one feeling that Hellripper have created something both spectacular and sinister here and I for one can’t stop playing this. High Octane, Goat Hailing at its finest

‘The Nuckelavee’ Official Lyric Video: 

TRACKLISTING:
01. The Nuckelavee
02. I, The Deceiver
03. Warlocks Grim & Withered Hags
04. Goat Vomit Nightmare
05. The Cursed Carrion Crown
06. The Hissing Marshes
07. Poison Womb (The Curse of the Witch)
08. Mester Stoor Worm

LINE-UP:
James McBain, all instruments, and vocals

LINKS:

Disclaimer: This review is solely the property of Rick Eaglestone and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s With Norrsköld

Norrsköld Logo

EMQ’s With Norrsköld

Hi everyone! Welcome to another EMQs interview, this time with Swedish Melodic Black/ Folk Metal band, Norrsköld. Huge thanks to guitarist Henrik Bodin-Sköld for taking part.

What is your name, what do you play and can you tell us a little bit about the history of the band?

Henrik Bodin-Sköld, guitarist and main songwriter in Norrsköld. Norrsköld started out pretty much as a studio project by me in 2013. The overall ambition of the music was to combine “the best of worlds” considering melodic metal and black metal. A large part of the inspiration for the song writing came from early 90’s Scandinavian acts like Dimmu Borgir, Dissection, Opeth and In Flames. So, the aim of Norrsköld has been “What would it sound like if all of these bands would join forces and create something with a modern production?” And we write music that somewhat corresponds to this. Norrsköld had a live performance era between 2015-2018, including European tours with Amon Amarth and Nightrage etc. Nowadays, the main focus is once again on creating and recording music as a studio project. However, live shows in the future are not an impossibility.

How did you come up with your band name?

It’s basically a wordplay with my origin (Norrland) and my family name (Sköld). Initially it felt like a natural name for the one-man studio project it all began with.

What Country/Region are you from and what is the Metal/Rock scene like there?

Me, I’m from the northern part of Sweden (Hälsingland region). Most of the other guys / girls that have been / are a part of the project comes from the west coast of Sweden (Gothenburg primarily).

What is your latest release?

Three singles have been released in October / November, prior to the release of our new album Prisma Aeternus (release date on Spotify and similar platforms 2022-11-07). Music videos have also been produced for two of these singles, available on our official Youtube channel.

Who have been your greatest influences?

Metal wise I’d say Dissection, Opeth and early In Flames. In general, most influence has been taken from soundtracks to movies and video games (an underrated source of inspiration).

What first got you into music?

I stumbled upon a keyboard at a very early age (4 or so). Then we have this thing in Sweden called municipal music education, where every kid gets the chance to get educated in one or several instruments “for free” during the primary school years. I believe this is one of the explanations that Sweden has produced so many acknowledged musicians throughout the years.

If you could collaborate with a current band or musician who would it be?

It would be really interesting to record / perform an album together with a grand orchestra in a great concert hall sometime. To really explore the soundscape in all dimensions. Would also be a cool thing to co-arrange a song or two together with the Icelandic composer Ólafur Arnalds. 

If you could play any festival in the world, which would you choose and why?

I’d say we would fit pretty good in the Wacken context. It just feels like a natural habitat for our kind of melodic death / black metal hybrid.

What’s the weirdest gift you have ever received from a fan?

Once after a gig, a guy comes up to the stage giving me a hand drawn portrait of myself, which he’d been creating with crayons during the concert. Honouring but unexpected.

If you had one message for your fans, what would it be?

Melodic metal can still be interesting! If you’re into death / black metal and want a touch of Scandinavian sounding melodies, Norrsköld should definitely be considered.

If you could bring one rock star back from the dead, who would it be?

Cliff Burton. Even though he accomplished great things while being alive, I think he had a lot left in the tank in terms of composing REALLY interesting and harmonic metal. A truly open-minded musician.

What do you enjoy the most about being a musician? And what do you hate?

Having the gift of expressing oneself in not only words, but also in tones. I believe some feelings and moods are not possible to express in words, why composing is such a unique medium for this.

If you could change one thing about the music industry, what would it be?

Well, make better room for up-and-coming artists on the greater platforms / venues. There’s a great need of “refreshment” especially in the metal scene. There are SO many exceptionally good bands out there that get stuck in the struggle of actually reaching out. 

Name one of your all-time favourite albums?

“Morningrise” by Opeth. A timeless classic. Delicate mix of nature romanticism, death metal aggressiveness and a haunting melancholy created with almost weeping guitars. Mikael Åkerfeldts finest.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Soundwise it’s definitely vinyl. Although in order to find an artist that actually deserves to be listened to on vinyl, download / streaming services are gold for discovering new (and not necessarily world famous) artists.

What’s the best gig that you have played to date?

Must have been at arenas in St. Petersburg and Moscow, together with Amon Amarth. There was an overwhelming response from the audience, especially in Moscow.

If you weren’t a musician, what else would you be doing?

Myself, I actually work in the environmental business, with focus on climate change. It’s a pretty decent work for being a “non-artsy” one. As a main alternative, I’d say being a full time author.

Which five people would you invite to a dinner party?

Not to unexpected maybe, but I would arrange a “composer’s dinner” with representatives from different genres. I’d really like to hear the stories behind how come up with their own special kind of music, and generally listen to how they create songs. I’d invite Tuomas Holopainen (Nightwish), John Frusciante (Red Hot Chilli Peppers) and, resurrected from their graves, Cliff Burton (Metallica) and Jon Nödtveit (Dissection). I imagine quite interesting discussions around the table. And a lot of drinks.

What’s next for the band?

Heavy focus on promoting the new album and videos. Maybe do some playthroughs. Will also continue to write and perfect new music during next year. 

What Social Media/Website links do you use to get your music out to people?

Mostly Instagram, Facebook and Youtube. Check out our channels / accounts!

Jaffa Cakes? Are they a cake or a biscuit?

Definitely a bis-cake hybrid.

Thank you for your time. Is there anything else that you would like to add?

Thank YOU for taking the time to notice our music! Just want to recommend everyone to give our music a listen, especially if you’re into ultra-melodic and catchy black / death metal music.

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Spider God – Fly In The Trap

Fly In The Trap Album Cover Art

Spider God – Fly In The Trap
Repose Records 
Release Date: 11/11/22
Running Time: 40:30
Review by Rick Eaglestone
8/10

After an array of split releases, EP’s and even a pop covers album, the time has come for the arachnid Spider God to unveil their first full length album – “Fly In The Trap”. This is a concept album that explores the chilling mystery of Elisa Lam, the young Chinese-Canadian woman whose body was found submerged in the rooftop water tank of her L.A. hotel in 2013. 

The album opens at a furious pace with opener and first single ‘The Fifty Second Murderer’ which is followed up the galloping charge of ‘Traces Of Hubris’. Then there is my highlight track of the album ‘A Thousand Lonely Spiders’, which is a wonderful mix of Blistering Black Metal with tinges of traditional Heavy Metal embedded into it. 

Up next is ‘The Hermit’ which has some great melodic undertones and is complimented fantastically well with ‘Labyrinth Of Hallways’, which starts off at a much slower pace which gradually builds into its searing attack. Second single ‘Flies In The Trap’ features guest vocals from artists even more elusive than the collective assembled here, both Revenant Marquis and A Forest Of Stars feature on this track and it feels like a supergroup of the unknown.

The album concludes with ‘Hiroshima Mon Amour’ & Invisible Light’, which ends what has been a real listening experience pouring from the speakers in a cold torrent whilst telling its story which is something I am now going to explore further now I have listened to the album a few times. I have discovered a documentary entitled Crime Scene: The Vanishing at the Cecil Hotel which is available via Netflix and no doubt after that I will come back to the album with a slightly different approach which will inevitably mean I will enjoy the album even more.

A majestically unnerving creation. 

‘Flies In The Trap’ Official Video

TRACKLISTING:
01. The Fifty Second Murderer 
02. Traces Of Hubris
03. A Thousand Lonely Spiders
04. The Hermit 
05. Labyrinth Of Hallways
06. Flies In The Trap
07. Hiroshima Mon Amour 
08. Invisible Light

LINE-UP:
G – Everything

LINKS:

Disclaimer: This review is solely the property of Rick Eaglestone and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with WORMWOOD

EMQ’s with WORMWOOD

Hi everyone! Welcome to our new EMQ’s interview with Stockholm, Sweden based Melodic Black Metal band Wormwood. Huge thanks to Vocalist ‘Nine’ for taking part.

What is your name, what do you play and can you tell us a little bit about the history of the band?

I go by the name ‘Nine’ and I am the main lyricist and vocalist in Wormwood.

Not to go too in-depth about the history, I can tell you that we started out in 2014 with a different line-up and a different musical genre, but after a year we had found a pretty solid line-up and started to refine our sound. After our debut EP, “The Void – Stories From The Whispering” well, we started right away to write our full-length album “Ghostlands – Wounds From A Bleeding Earth” which was a pretty huge success. That’s was when we had found a sound we were happy with, for the time being. And as many other bands, we started to write the album “Nattarvet” shortly after which even more refined our sound, and here we are. I think we now have found a solid ground on our genre. People label us as Melodic Black Metal, and we won’t argue with that, but we are too many layers to be really encapsulated into one genre.

How did you come up with your band name?

Wormwood comes from the bible and goes by the Apsinthos. It was a star which fell from the heavens and made the rivers sour so man became sick. Wormwood for us is both the biblical meaning and our own personal meaning. It’s a force which lurks deep within the nature here in Scandinavia and us.

What Region/Country are you from and what is the Metal/Rock scene like there?

We are from Sweden and you could say that Sweden is the epicentre of many metal genres.

What is your latest release? (Album, EP, Single or Video)

“Nattarvet” which got released via Black Lodge Records on 2019-07-26! We also released two music videos from the album, ‘The Isolationist’ and ‘Av Lie och Börda’ (Of Scythe And Burden).

Who have been your greatest influences?

I can’t talk too much what the composers of the band got their influences from except what you can easily hear, but for me as a vocalist and lyricist there are a few. Warrel Dane from Nevermore has been immensely influential for me, not only with his very different voice but for the pure poetry he writes in his lyrics. I wholeheartedly recommend, both from a lyrical and musically viewpoint to listen to “Dead Heart in a Dead World” and “This Godless Endeavour” with Nevermore.

Also the deep and profound lyrics of Patrick Walker from Warning, the amazing musical compositions of Christofer Johnsson from Therion and the roaring vocals from Ihsahn!

What first got you into music?

I guess that would be my older brother when he showed me Metallica, Megadeth and Iron Maiden in the early 90’s. But what formed me as an extreme music listener was “Beauty in Darkness Vol1” (Nuclear Blast) from ‘96 where I first heard Dissection, Therion, Crematory, In Flames, Sentenced, Cradle of Filth, Theatre of Tragedy, and so on and so forth.

If you could collaborate with a current band or musician who would it be?

My highest privilege would be to do a collaboration with Akira Yamaoka, the man who did most of the Silent Hill soundtracks. His way of finding a soundscape devoid of hope and a happy ending is just perfect. Dark ambient sounds, melancholic acoustic strings and deep foreboding bass! Yeah, that’s my dream.

If you could play any festival in the world, which would you choose and why?

[Insert the biggest metal festival in the world here]. That one!

What’s the weirdest gift you have ever received from a fan?

This one isn’t that weird, well depending on who you are, but when I did a tour in 2009 with my old band Withershin, we were somewhere in Russia and a fan made a pentagram neckless to me which he had performed a ritual in the forest to enchant it somehow. I still have it and wear it occasionally till this day.

If you had one message for your fans, what would it be?

Always except the unexpected when it comes to Wormwood’s new releases.

If you could bring one Metal/Rock star back from the dead, who would it be?

Warrel Dane from Nevermore! Beyond a shadow of a doubt! His untimely death was a hard blow to the metal scene and for me personally, it was devastating.

Nevermore is the biggest underground band people don’t know about. If you haven’t heard about Nevermore, as I wrote on a previous question, go and listen to those albums or any by them for that matter. Lest we forget…!

What do you enjoy the most about being a musician? And what do you hate?

Expressing your art to people who loved it is a very humbling and great feeling. I am pretty sure that there are people who work who do things which others enjoy, but there is something magical about doing it when it comes to music. You put down your brittle soul and tainted blood into it, and then many people understand it, love it and even want to support you. That is really something else.

The struggles of being an up-and-coming musician are real.

If you could change one thing about the music industry, what would it be?

Stop. Being. So. Fucking. Offended.

Name one of your all-time favourite albums?

Iron Maiden – “Seventh Son Of A Seventh Son”, without competition.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl is the best buy, streaming is the easiest way to find new music.

What’s the best gig that you have played to date?

That´s hard to say! Is the biggest the best? I don´t know, every gig is special in some kind of way.

If you weren’t a musician, what else would you be doing?

Probably making videos full time, or graphic stuff!

Which five people would you invite to a dinner party?

Five people that are easy going and they will come with a big bag of beer to share. I guess it would be the band.

What’s next for the band?

We´re attending to one of the biggest music awards here in Sweden which we are nominated for in the Best Rock/Metal Category.

We are going out playing at festivals this spring/summer and we are writing on new material at the moment.

What Social Media/Website links do you use to get your music out to people?

http://www.wormwood-official.com
http://wormwood-official.bandcamp.com/
https://www.instagram.com/wormwoodofficial/
https://www.facebook.com/WormwoodSWE
https://twitter.com/WormwoodSWE
https://www.youtube.com/c/officialwormwood

Jaffa Cakes! Are they a cake or a biscuit?

Never heard about them, but after some googling it looks lite biscuits to me.

Thank you for your time. Is there anything else that you would like to add?

Well, check us out! See you on tour!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

DarkTower – Obedientia

Obedientia Cover

DarkTower – Obedientia
Electric Funeral Records
Release Date: 06/11/2019
Running time: 41:38
Review by Victor Augusto
10/10

I often ask myself if it is possible that a band will offer anything new nowadays, after everything we know, and have heard, in Heavy Metal. Maybe I am being skeptical, but I don’t think we will ever hear innovation or something revolutionary inside music again. Despite that, I do believe it is possible to find ways to flee from “more of the same”. Following this path, I can mention Brazilian Melodic Black/Death Metal band DarkTower who have been conquering South America for more than 10 years touring regularly and releasing two great albums “…of Chaos and Ascension” (2013) and “Eight Spears” (2016). If these two albums showed to fans their huge technical ability, “Obedientia” comes with a new purpose.
Always inspired in chaos that rules the world, this time DarkTower have got their specific scenario from where they live in Brazil. An unstable country in terms of economy, governments and now, a nation split by political worship that makes them ready to kill each other, blinded by angry and foolish attitudes. No, you won’t hear any political statements like you do with Thrash Metal bands or the antichrist screams associated with Black Metal bands but you will hear all the darkness from their daily anger and suffering, which is very well elucidated by complex and heavy compositions. It is like you are hearing a soundtrack of the apocalypse. A non-fictional apocalypse; A real apocalypse!
The acoustic intro of ‘Punishment’ becomes heavier and epical until ‘Downfall’ devastates all of us with killer riffs, blast beats and screams about the mental maze of a lunatic who cannot think or act for himself due to religious dogma. Next track ‘God Above Nothing’ is the most aggressive song and it represents the church leaders, allied with politics, using the people’s faith to control and manipulate them. This religious theme actually represents exactly what is happening in the band’s country, where the slogan “God Above Everything” was used massively during the most recent political campaign. As I said before, do not expect specific names to be mentioned here, as the idea of “Obedientia” is to make clear how dangerous a nation that worships snakes and lunatics can be, no matter which side they represent.
The instrumental prelude of ‘Highland Ceremony’ explains the story behind ‘Winged Snake’s Communion’. It is about an old South American tribe called Cañari, who, in the mountains of South Ecuador, still keep their old traditions alive even after all the wars and changes in civilization. This song reflects an idea of the traditions Brazil has lost throughout the years. More songs make clear what the band wants to warn you about, like the chorus “I Won’t Kneel For You” in the title track ‘Obedientia’ and the metaphoric references of sculpted leaders when they say “Man of Clay” in the lyrics of ‘Praxis Against Ignorance’.
The main theme is brilliant and very well interpreted by vocalist Flávio Gonçalves with a Black Metal vocal inspiration but also with Death Metal power and the band follow him with the fabulous guitar work of Raphael Casotto and Rafael Morais who alternate insane riffs and solos and create a dense atmosphere. This is highlighted by the great and, sometimes, independent bass lines of Rodolfo Ferreira and drummer Rômulo Grilo increases the heaviness with numerous tempo changes, from slow cadences and percussion to extreme blast beats.
After ‘The Carnal Splendour’ which is the last act of musical violence, the calm and beautiful ‘…As the Obedient Marches to the Abyss’ closes the album! Epic, Powerful, Dark and, at the same time, realistic about the human living chaos!
Maybe “Obedientia” doesn’t bring anything new to listeners, but it is undeniable we are in front of a masterpiece. All the darkness and emotion in the music make the listener enter into this experience angrily. It feels like every detail, every single note and lyric has been studied to create a perfect match between all band members. Listen and appreciate while the obedient march to the abyss.
TRACKLISTING:
01. Punishment
02. Downfall
03. God Above Nothing
04. Highland Ceremony
05. Winged Snake’s Communion
06. Praxis Against Ignorance
07. Obedientia
08. Rites of Conscience
09. The Carnal Splendour
10. …As The Obedient Marches to the Abyss…
LINE-UP:
Flávio Gonçalves – Vocals
Raphael Casotto – Guitars
Rafael Morais – Guitars
Rodolfo Ferreira – Bass and Vocals
Rômulo Grilo – Drums
LINKS:
https://www.darktowerofficial.com/
https://www.facebook.com/darktowermetal/
https://www.youtube.com/user/darktowertv
https://www.instagram.com/darktowerofficial/

https://www.youtube.com/user/darktowertv
 
Promo Pic1
 
 
Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.