Interview with Jesper Lindberg of Sarayasign

Interview with Jesper Lindberg of Sarayasign
Interviewed and Produced by Laura Barnes

After thoroughly enjoying Sarayasign’s debut album “Throne of Gold”, our reviewer Laura Barnes spoke to Sarayasign’s drummer and mastermind, Jesper Lindberg. They talked about concept albums, fantasy, and the long, agonizing process of songwriting. Check it out here:

Interview with Jesper Lindberg of Sarayasign

To read the original review, click here: https://www.ever-metal.com/2022/06/29/sarayasign-throne-of-gold/

LINKS:

Disclaimer: This interview is solely the property of Laura Barnes and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview: Alex Camargo of Krisiun

Video Interview: Alex Camargo of Krisiun
Interviewed and produced by Victor Augusto

The Brazilian Death Metal band Krisiun became very respected among the legends that made this style so strong around the world, and they have just released a new album “Mortem Solis” after four years without new material.

Our friend from Brazil, Victor Augusto, had a chat with the vocalist/bassist Alex Camargo to find out more about the early days of the band, that is considered a legendary one, especially in their homeland. They also talked about the band’s offering.

I hope you enjoy it!

INTERVIEW WITH ALEX CAMARGO

LINE-UP:
Alex Camargo – Vocals and bass
Max Kolesne – Drums
Moyses Kolesne – Guitars

LINKS:

Disclaimer: This interview is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with INFANTERIA

Infanteria Logo

Interview with INFANTERIA
Interviewed by Beth Jones

Hi Everyone, welcome to a slightly tweaked EMQs interview with Progressive Thrash Metal band, Infanteria, whose new album, “Patriarch” is out today. Check out our review of it here:

Please introduce yourselves, tell us what you play, and tell us all about Infanteria.

Chris – I’m Chris, Guitarist and Vocalist for Progressive Thrash Metal band Infanteria. Tim plays bass guitar with Adrian rounding things off on drums. We formed back in 2005 with 3 albums under our belt thus far. Our new album, Patriarch, is out everywhere on 17 June 2022.

Please tell us about where you are from, and what the Metal Scene is like there?

Chris – We’re all originally from Cape Town, South Africa, however I moved over to the UK a few years back. Compared to the scene in places like the UK, South Africa’s metal scene is tiny, but it’s a really passionate crowd with an awesome sense of community. Living in South Africa is certainly turbulent and getting your angst and anxiety out at a metal show is the perfect release – I truly feel that’s a massive factor to the energy of the shows in SA compared to other countries.

Please tell us about your new single ‘Embrace The Trauma’ and album ‘Patriarch’

Chris – It’s the fastest and most straight-to-the-point song on the album with a great gang vocal chorus hook and it made sense to put it out as the first single. Our fans haven’t heard from us in ages, and we wanted to give them an energetic, no-frills introduction to the album before they hear the twist and turns on the rest of the tracks.

How did you come up with the album name ‘Patriarch’?

Chris – The theme of the album is control and what people can manifest when they feel they’ve lost control or in full control. This is put across through family traditions/expectations; cancel culture; broken relationships; tribal vs individual identity and other scenarios in the lyrics. At the end of the day, we are the rulers of our own destiny and our very own patriarch. It’s a strong, thought-provoking title and every metal album needs one of those.

Who have been your greatest influences?

Tim: From a bass perspective, Cliff Burton, Troy Sanders, Steve Harris and, on this album, I tried to channel a bit of Martín Méndez.

Adrian: Definitely all the power drummers of the 80’s & 90’s. Ulrich, Lombardo/Bostaph, Benante, Hoglan, Menza, Nicko McBrain & Vinnie Paul stand out among many. 2000’s and beyond favourites are Per Møller Jensen, Aquiles Priester, Eloy Casagrande, Mike Portnoy & Dirk Verveuren to name a few.

Chris: Hetfield, Mustaine & Chuck Billy will always be the forefathers of influencers for me. Add a little Sylosis, Mastodon, Opeth, Iron Maiden & Pantera for good measure.

What first got you into music?       

Tim: My dad’s Led Zeppelin boxset, Danny Elfman’s 1989 Batman score, and the Command & Conquer: Red Alert soundtrack.

Adrian: I’m from a musical family, so jamming with my parents since I was 6 years old on piano really developed my love for music in general. Discovering amazing rock n roll artists in my older brother’s music collection definitely helped too.

Chris: I come from quite a musical family – my great-grandmother was a professional opera singer, and my mom sang in the Cape Town Choir. My Uncle and older cousin used to play guitar and sing old Beatles and 70s classics at all the big family events, and I remember music always being a constant throughout my childhood.

My dad got me into Queen and Elvis when I was about 8 and I really dug the power, musicality, and speed of the music. When I was 12/13, my oldest friend, Giorgio, played Metallica and Guns N Roses for me and handed me his older brother’s new electric guitar to chug on and the rest is history.

If you could collaborate with a current band or musician, who would it be?

Tim: Rammstein.

Adrian: Beast In Black

Chris: Josh Middleton (Sylosis, Architects)

If you could play any festival in the world, which would you choose and why?

Tim: Hellfest. Can you imagine having an artist pass with the 2022 lineup?? Good lord.

Adrian: Hellfest (with the condition that I get to play and attend the entire fest). I’d be dead by day 4 just from the pure excitement. Close 2nd would be 70,000 Tons of Metal. Who doesn’t like a nice Caribbean cruise ship holiday while getting to play to a great audience?

Chris: I’ve always been keen on Bloodstock Open Air in the UK. They always have amazing line-ups and I’ve been meaning to go there as a fan for ages – would be perfect to play there too!

What’s the weirdest gift you have ever received from a fan?

Tim: Accidentally getting us banned from streaming platforms for a while. But we still love the guy.

Adrian: Nothing yet to my dismay. I hope to receive several strange offerings soon \m/

Chris: I honestly can’t think of anything in particular!

If you had one message for your fans, what would it be?

Tim: Eat your greens.

Adrian: Peoples’ time is such a precious commodity these days, so thank you for choosing to spend some of that valuable time listening to our music ^_^

Chris: Thank you so much for sticking by us and helping us fly the flag! Enjoy the new album and hope to see you soon! Keep supporting metal bands as best you can.

If you could bring one rock star back from the dead, who would it be?

Tim: It must be Cliff Burton for me. Or Chris Cornell.

Adrian: Dimebag. Or Lemmy.

Chris: Dimebag. One more Pantera album with the guys at their mature prime would be perfection. RIP to an absolute legend.

What do you enjoy the most about being a musician? And what do you hate?

Tim: Playing live is the absolute best part, when everything is flowing and you’re locked-in with your bandmates and the audience, the experience is transcendental. I hate playing by myself at home.

Adrian: That special moment jamming (studio or live) where something just “clicks” and you look at each other and feel that electricity. Pet hate is 10-minute changeovers with no opportunity for a decent soundcheck >_<

Chris: Playing live to a full crowd who are fully into what they are hearing is hard to beat. The writing process is so rewarding though, there is no better high than writing a riff/beat/vocal line/piece that gives you butterflies and goosebumps when you listen to it back. Priceless.

If you could change one thing about the music industry, what would it be?

Tim: Streaming royalties.

Adrian: Having more support and relief avenues globally for artists and musicians which are smaller or mid-range to weather storms like the last 2 and a half years have been. I’ve seen the devastation of the pandemic on friends who are professional entertainers, and we can’t have that happen again.

Chris: It’s insatiable appetite for overly promoting bad “commercial” music rather than giving hard working talent the resources and exposure everyone deserves.

Name one of your all-time favourite albums?

Tim: Mastodon- “Blood Mountain”

Adrian: Megadeth – “Youthanasia”

Chris: Metallica – “… And Justice For All”

What’s best? Vinyl, Cassettes, CDs, or Downloads?

Tim: It depends on the context, all of them have their place and things that they do better than the others (except maybe cassette ha ha ha!). As a physical object, vinyl for sure. For general listening, it’s hard to beat the convenience of streaming/downloads. But there’s nothing like trawling through an old box of records/CDs or perusing the shelves of music stores for hidden treasures.

Adrian: Suppose it depends on the situation. Downloads are most convenient, especially with the space saving it provides. I’d still have to say my preference is CD. My physical music collection exists pretty much 99% in CD format.

Chris: I’m all about the recent vinyl resurgence and have a turntable and an ever-expanding vinyl collection. They sound excellent and album artwork always looks 100 times better on an LP than a small CD or cassette. I still have all my CDs but wouldn’t choose to buy one nowadays with vinyl back on the shelves.

What’s the best gig that you have played to date?

Tim: Ramfest when we opened for Killswitch Engage and Trivium, and Corey Beaulieu scampered to the side of the stage to watch us jam Holy Wars. The Gandalfs Farewell gig holds a special place in my heart too, partially because of the strong emotions at that show (saying goodbye to a legendary Cape Town venue), and because it felt like we absolutely ripped that night.

Adrian: The one that sticks in my mind the most was the album release show for Where Serpents Conquer. Energy was off the charts and just felt unstoppable.

Chris: Ramfest 2014 is hard to beat. Opening for both Trivium and KSE on the same night in front of an amazing crowd was a dream come true. I’d choose that show over Wacken 2013 just because our performance was better. Playing in front of over 8000 people in Germany was life changing.

If you weren’t a musician, what else would you be doing?

Tim: Being a musician exclusively is a rare thing these days, but if I wasn’t thinking about music at all, I’d devote more time to filmmaking and naps.

Adrian: I’d love to sell musical instruments if I wasn’t actively making music. That or run a guesthouse or Airbnb business.

Chris: Life would be exceedingly boring without music in my life but becoming an expert pizza maker would be close second.

Which five people would you invite to a dinner party?

Tim: Adrian has spent a lot of time pondering this over the years, and probably has a super profound answer. I’ll keep my bad answer at living people: Bruce Campbell, David Lynch, Kirk Hammett, Donald Glover, and Carol Kaye.

Adrian: Only 5??? I have a massive list of living people (constantly updating) who I’d love to have over for dinner. Impossible to narrow it down, so taking a random sample. They include David Attenborough, Shigeru Miyamoto, Terry Crews, Roger Federer, Alice Cooper.

Dead list is probably a little shorter. They would be Neal Peart, Desmond Tutu, JRR Tolkien, Dr Christiaan Barnard, Stan Lee

Chris: James Hetfield, Ricky Gervais, Joe Rogan, Eric Cantona and Liam Gallagher. Biblical.

What’s next for Infanteria?

Chris – Our new album, Patriarch, comes out on 17 June and we’re buzzing for everyone to hear it. Things are still in-the-air with plans after we release as I live in the UK and the rest of the guys are in South Africa, so we’ll see what comes our way. We’ll definitely continue to write music though.

Jaffa Cakes! Are they a cake or a biscuit?

Chris: You don’t get Jaffa Cakes in South Africa! I’ve had them in the UK though and I’d say they’re more a cake than a biscuit … surely not crumbly enough!

Thank you for your time. Is there anything else that you would like to add?

Chris: Thanks so much for having us and we hope you all enjoy our new single ‘Embrace the Trauma’, which comes out on 3 June and the new album ‘Patriarch’ on 17 June. Follow all our socials for more info https://linktr.ee/infanteria

Infanteria Promo Pic

Infanteria is a three-piece Progressive Thrash Metal Band from Cape Town, South Africa and Manchester, UK. Currently independent, the band released two studio albums with Burning Tone Records, with their third album, ‘Patriarch’, due for release Friday 17 June 2022. Formed in 2005 by Vocalist & Guitarist Chris Hall, and his brother Rob, Infanteria managed to thrash through the high school party years to release their 2013 debut ‘Isolated Existence’. The release saw Bassist Tim Leibbrandt join the fold, propelling the band to win the Wacken Metal Battle South Africa Competition that year, affording them the opportunity to play at the Wacken Open Air festival in Germany alongside Rammstein, Motörhead, Meshuggah, and many more!

Upon their return to South Africa, the band was direct support for Killswitch Engage and Trivium at Ramfest SA 2014. The following year, their critically acclaimed sophomore album ‘Where Serpents Conquer’ was released with Adrian Langeveld taking over behind the Drums. The group subsequently enjoyed extensive touring of South Africa. With Chris emigrating to the UK in early 2020, and the arrival of the pandemic, sessions for the band’s next album were put on hold. Two years later, the Thrash Metal Trio is now set to return, revitalised and ready to unleash ‘Patriarch’, their long-awaited third album. A mature expansion on their previous releases, ‘Patriarch’ shows the full development of Infanteria’s progressive metal sound from hardcore crossover runaways like ‘Embrace the Trauma’ to rich sonic opuses such as ‘Swansong’.

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Video Interview with Marquis De Sade

Marquis De Sade Logo

For several decades Marquis De Sade were the epitome of the British cult Metal band…highly respected but quite elusive. Now, however, the band is about to make an unexpected comeback.

Formed in the south of London around 1979, Marquis De Sade remained active for about three years. The line-up back then consisted of Kriss Gordelier on vocals, Kriss’ brother Pete Gordelier on bass, San Remo on keyboards, Gary ‘Gazza’ Pope on drums and Gary’s brother Kevin on guitars. Together they crafted some amazing material.

Sadly Kevin passed away quite recently and his shoes have been filled by Pauly Gordelier (brother of Kriss and Pete) while keyboard maestro Giles ‘Doc’ Holland has replaced San Remo.

This is probably the first interview the band has given in over 40 years. As one might imagine, it’s quite a revealing one!

Video Interview With Marquis De Sade

DISCOGPRAHY:
Somewhere Up in the Mountains         [Compilation-2012-High Roller Records]
Somewhere Up in the Mountains / Black Angel        [Single-1981-X-Pose]
Demo 1981                                                                 [Demo-1981-self-release]

LINE-UP:
Kriss Gordelier – vocals
Paul ‘Pauly’ Gordelier – guitars
Giles ‘Doc’ Holland – keyboards
Pete Gordelier – bass
Gary ‘Gazza’ Pope – drums

LINKS:

Disclaimer: This interview is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with TYSONDOG

Midnight Album Cover Art

Video Interview with TYSONDOG
Interviewed and Edited by Chris Galea

Recently, Chris Galea got a chance to catch up with Kevin Wynn, bass player of NWOBHM band, Tysondog, to chat about the band, their new album, “Midnight” which came out on 29th April 2022, and what inspires them.

Check out the full video interview here:

Video Interview with TYSONDOG

https://www.youtube.com/watch?v=5AmpF9ODVEo

LINKS:

Disclaimer: This interview is solely the property of Chris Galeaand Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

We Struck Gold – Interview With Ever Metal

We Struck Gold Logo

We Struck Gold – Interview With Ever Metal
By Beth Jones

Recently I had the chance to catch up virtually with UK based band, We Struck Gold, to find out a little more about their music, what inspires them, and what they have in the pipeline now that live music is back. Thanks to them for taking the time to answer my questions. 

Welcome and thanks for joining us for this interview. You’re a new band to the uk scene, so before anything else, please tell us a little about the band’s roots, and what inspires you to create music.

The band is based South West Of The UK In Bristol. We have been around for a few short years, however we have finally found a sound and line-up that we are extremely proud of.

Our passion for creating music comes from our day to day lives. That being times of positivity or times of struggle. Music is our voice and we want as many people to hear us.

You’re currently releasing singles from your upcoming EP. Can you tell us about the message that these songs are trying to convey?

The Songs are a compilation of many things. The songs reflect our everyday lives, things that we are passionate about. The past two years has been hard for everyone, there is something everyone can connect with.

What’s your approach to songwriting? Does it start with a lyric or riff, and grow collaboratively, or does one member focus on creating the backbone of your songs?

The tracks usually start with Jesse Musically, he lays down the foundations for a track. We all give our input, maybe rearrange things to see what fits the song best. Omar is usually quick to have some great melodies for vocals which may totally restructure a track completely. Songs can come together very fast but then again some may take time. We are still working on tracks we made before this current string of releases. Some songs take time, we may need to walk away and come back to them a few months down the line.

Now That live music is back, tell us a little if you can about upcoming shows, and where can people see you?

We are over the moon that live music is back! It has given us all a new perspective on things, I think we can all agree? As far as seeing us, we currently have a string of dates where we are hitting a lot of the big cities around the UK! You can find the announced shows here! 

www.Linktr.Ee/Westruckgold 

The world is a testing place at the moment. If you had one message to give to your fans right now, what would it be?

Persevere and overcome…

Music can be a great solace and a great healer. What will people find in your songs that they can relate to, and find comfort in?

The new material speaks for itself we think. The song titles we have chosen pretty much sums up what the track is about. But then music is all about how we as listeners perceive it. 

The scene is packed full of great new music right now. What would you say is the thing that makes you stand out from the crowd?

Our live performance is definitely something everyone should experience! Being put in a live environment is where we excel!   

After the release of your EP, what do you have planned next?

We plan on hitting the studio to keep the music coming! The pandemic gave us a lot of time to create music and we haven’t stopped writing, it had is plus sides as well as it down sides!

What’s the ultimate goal for We Struck Gold and your music?

We could give the generic reply of big tours and big stages. However I think our main goal is to emotionally connect with our listeners. If we can give people the same feeling we all get from music we’ve done our job. If we help just one person who needs to be picked up and helped in times of struggle, we’ve definitely done our job!

Finally, where can people go online to discover more about you, and find your music?

www.Linktr.Ee/Westruckgold 

LINKS:

Disclaimer: This interview is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview With Venomous

Video Interview With Venomous
By Victor Augusto

In February of 2021, I was lucky enough to discover another brilliant Brazilian band to review. More than just loving their music on a first listen, I was astonished just how many details the EP “Tribus” offered, despite only having just four tracks on it. The lyrical subjects, the cover art and the music were so rich that I spent way more time than usual to analyse and try to describe them. 

Today, more than a year after that, I am glad that I had the chance to talk with vocalist Thiago Pereira and the Guitarist Ivan Landgraf to understand more about what they put into Venomous’s music. 

Tribus EP Cover

I hope you enjoy this Brazilian Melodic Death Metal band as much as I’ve enjoyed discovering them.

Video interview with Venomous

https://www.youtube.com/watch?v=JgjCuAOQgCE

Video edit by Victor Augusto
Live video of ‘Eerie Land’ and ‘Unity’ recorded by Venomous.
Images of the band taken by the Venomous official video of ‘Eerie Land’ and ‘Unity’.
Background music: Venomous – ‘Eerie Land’, Venomous – ‘Unity’ and Venomous – ‘Duality’

LINKS:

Venomous Promo Pic

Tribus EP review

Disclaimer: This interview is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Gravehuffer

NecroEclosion Album Cover Art

Interview with Gravehuffer
By Victor Augusto

My lack of creativity in writing introductions is nothing new for all the readers of Ever Metal (by the way I am copying this intro from my review), but today I have to repeat something that I often mention in introductions to my reviews. This is how amazing it is seeing a band’s evolution while I have the pleasure to follow them, releasing their albums, since they have formed. Of course, Gravehuffer (from Joplin, Missouri) are not a young band and they are very experienced musicians, but I am the lucky guy who has reviewed all of their albums since 2017 and I have to say that Gravehuffer is one of the most intriguing and challenging bands that I have reviewed so far. 

I had the pleasure to talk with the guitarist Ritchie Randall to dig deeply on how they achieved such an amazing result on their last album “NecroEclosion”. 

Victor Augusto: I confess that I tried to find the meaning of album’s title, but I couldn’t understand it. Could you explain the definition of the word NecroEclosion?

Ritchie Randall: It means to emerge from a cocoon of death. We were going through the pandemic, lost our singer and had to cancel a lot of shows at the time. It all went into the sound of the record. 

Victor Augusto: NecroEclosion, for me, is a pure American album. Not that the album is just for American listeners, but it is a hard criticism of things from your country. You talk about those who stayed at sea a long time during the colonization, also about the disco music and even the NASA missions off of earth, but it’s always related to the USA. Was your intention to be focused on American history or American culture, or did it just happens naturally?

Ritchie Randall: That’s an interesting observation! I never thought of it that way. It was definitely not our intention, but it could relate to all of the upheaval going on in the United States at the time we wrote the album. So, I guess to answer your question, it happened naturally. 

Victor Augusto: There is the typical acid humor that Gravehuffer always uses in the best way, as you hear in ‘Death Before Disco’. It starts with a funny version of ‘You Should Be Dancing’, from the Bee Gees, that shows the wreck that Disco music made of the music industry decades ago. It also criticizes the cocaine and other stuff involved with those who were part of the scene. I think it also shows how we have plenty of excellent and varied material here, and I am not talking about that stuff from Disco clubs, that could make Robocop (with rusty hinges) dance like hell! Could you talk about this sense of humour and about this song?

Ritchie Randall: I think we always have that cheeky sense of humour going on throughout all of our records. How it manifests into a song can vary a lot though. Mike (Jilge), our bassist, has been wanting to do the ‘Death Before Disco’ idea as long as I can remember. We’re talking since the late 90’s! He learned the bass line for the Bee Gees song and so at that point, we had to do it ha ha ha! It was a lot of fun to step out of our comfort zone for a minute there. Travis came up with the idea for the lyrics to be about the disco culture of the 70’s and how it tried to ruin the music scene.

Victor Augusto: You also talks about serious historical subject for example in ‘Ghost Dance’, which is about the mass killing of the Native Americans in the USA. The backing vocals, like the ghost of the indigenous ancestors screaming for help to anyone who could stand and fight. Melodies bring the feeling of a ‘last breath of hope’ amongst all the chaos that sadly didn’t save them from the coward’s killing. Was the band’s intention to bring all these emotions for the song?

Ritchie Randall: Yes, it was. We had the subject matter of the Wounded Knee Massacre already picked for a song, and we wrote the music to specifically fit with what happened. It was very emotional to write. It’s something that means a lot to us, being from the United States. We haven’t always treated people the best ever though we’re a nation of immigrants. Travis (McKenzie – Vocals) once again came up with the lyrics and really did a fantastic job! We let a few of our Native American friends listen to it before it was released, and they really thought we did that part of their history justice.

Victor Augusto: ‘Custom Of The Sea’ also has a serious subject. It is about those who stayed at sea a long time during the colonization. Many people went mad and died. By the way it is a perfect song to understand the bands sonority! Could you explain this track? 

Ritchie Randall: Sure, it’s about cannibalism at sea and how it was basically allowed until a trial outlawed it. We just thought it sounded like such an intense thing to go through! I saw an article on the internet about it and wanted the band to write a song that put you in the headspace of the people who were living through it. We had no idea that took place back then. It was actually called the ‘custom of the sea’ and it happened very regularly. If the sailors ran out of rations, they would kill the people who were the sickest and eat them. 

Victor Augusto: Musically, you are not restricted to only one genre and you are getting heavier with each album release, even though you keep your main spirit of Crust / Hardcore and Thrash Metal. For example: ‘Quarantine Death Machine’ reminds me of Sepultura when playing Hardcore. ‘Smaller Than Death’ has a Doomy side. ‘Stingray’ is more Punk Rock in style, but it is very heavy as well. Gravehuffer is a band that always wants to surprise their fans. What makes you always want to play whatever you want, no matter the style?

Ritchie Randall: Thanks! We basically write how we are feeling at that particular time and it translates to the sound of the music. Sometimes we are feeling in a good mood, sometimes we are angry, sometimes we are bummed out, it just depends on what is happening in our lives at that time. The only rule in this band is there are no rules!

Victor Augusto: This new album is pretty organic and raw, of course it is amazingly well recorded. It is funny because in an age that most of the bands prefer to do a much-digitalized production, you went against this trend. Is it a pattern for Gravehuffer or do you think that the compositions asked for this raw production?

Ritchie Randall: Thank you once again! It’s a little bit of both actually. We come from the era of bands that had that more raw production. There are times when we will hear a band with polished production and then see them live and they sound nothing like their record. We want our live sound to translate to our albums. We’re a loud, aggressive, and intense band and we want the production to match that.

Victor Augusto: It is funny because I’ve already heard the album, to review, since October or September of 2020. I took a long time to listen to it because I was involved with other things in the end of the last year. But I clearly remember the post of a review that totally showed a person who didn’t understand the band’s idea and talked a lot of crazy things. It pissed me off and made me want to go deeper into this album to write the best review ever that I could, considering my limitations ha ha ha ha! How do you handle with these kinds of things coming from magazines and people connected to journalism?

Ritchie Randall: Your review is fantastic and also we appreciate that you think highly of the album to include on your 2021 albums of the year list! Bad reviews are rare for us thankfully, but when they do happen, they tend to be a little bit short sighted. They don’t really ‘get’ what we are doing it seems. That’s OK really. We understand we’re not for everyone. There was one that we made an example of because they got a little bit personal in the review and that’s not cool. Other than that, we don’t mind. We just appreciate that people are taking the time to listen and write their thoughts about our music!

Victor Augusto: We first meet each other when we were at Sare’s Invasion radio show. By the way Sara was the person who told me about Ever Metal. Since then, I have reviewed all of Gravehuffer’s albums and you don’t leave more than 2 years without a new release. How is the composition process working to have so much good material in a short spaces of time?

Ritchie Randall: Yeah it’s been great being a part of the family at Sare’s Invasion! We are always writing, practically every couple of weeks we’ll have new ideas to present to each other. Our phones and computers have hundreds of riffs, lyrics, melodies, beats, you name it! We have stuff from 7 or 8 years ago still sitting around. We may use it, we may not, but it’s nice to have that wealth of material to have at our disposal.

Victor Augusto: You started touring just in this year, after all issues from COVID during 2020 and 2021. How are the shows so far? Do you have any intention to tour outside of the US, such as a European tour?

Ritchie Randall: The shows have been good. A few great ones too! Attendance is still on the lower side, but I think people are just being cautious and that’s OK. Regardless, we have a blast and love meeting new people and playing our music for them! We do plan to play outside the US, it’s just the cost and timing that we have to figure out, but we are actively pursuing it!

Victor Augusto: Over all these years playing in a band, what was the band’s achievement which made you feel most proud of that’s worth all the hard work so far?

Ritchie Randall: Probably putting out vinyl. That was something I never thought I would do! It’s always been one of the dreams! NecroEclosion in particular. Just wait for our next record. It’s really going to raise the bar! We can’t wait for people to hear it!

Victor Augusto: Thanks for your time. I really hope to see you in concert someday. For sure I will be on the front row and screaming whilst you play, like the stupid crazy fan that I am. Please let your us know your final considerations for your fans and for Ever Metal’s readers, also the plans for the future.

Ritchie Randall: Thank you for the insightful questions! This was a lot of fun! We would LOVE to play Brazil! Wow that would be amazing! As far as the future, we are finishing up this new record that has a 21-minute epic song about Dante’s Divine Comedy, and another side of our crazy antics. Kam Lee from Massacre and James Murphy (Death, Testament, Obituary, Cancer, etc.) is playing lead guitar on the Dante song! Many more shows as well! Cheers! 

LINKS:

Gravehuffer Promo Pic

Disclaimer: This interview is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with EVILE

Evile Tour Poster

Video Interview with EVILE
Filmed at Boston Music Room, London – 24/02/22
Interviewed and Edited by Chris Galea

One of the UK’s most loved Thrash bands, Evile, finally managed to take to the road again in February 2022, to tour their most recent album. Chris Galea went along to their show at the Boston Music Room, London, and managed to catch a quick interview with drummer, Ben Carter. And here it is!

Disclaimer: This interview is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with The Crown

Royal Destroyer Album Cover Art

Interview with The Crown
by Victor Augusto

Ok, before I start my smooth talking, let me travel back in time. The year was 2002 and my older brother appeared at home with two albums from a Swedish Death Metal band. I clearly remember, to this day, when The Crown albums “Hell is Here” (1999) and “Deathrace King” (2000) started to play on our old stereo. After that, I understood how amazing the music from Sweden was. We became fans and we never stopped looking for the band’s new releases, even though it was not an easy task at that time in South America. 

I was living in a very poor neighbourhood, in Rio de Janeiro (Brazil), without access to the internet or a computer, even though those two things were becoming popular at that time. Heavy Metal was a very strange kind of music for people who lived in that place too. I had no money to buy magazines either, but the years have passed and after almost two decades, here I am, without words to describe how happy I am to have the opportunity to talk with The Crown. 

Thanks to the vocalist Johan Lindstrand for taking part in this interview. I do hope you have fun reading about the long career of this amazing band! We have many things to talk about, including their newest release, the killer album “Royal Destroyer”.

Victor Augusto: Since the first time that I heard The Crown, my impression was that the band prioritises creating music that brings energy and could thrill the listeners enough to bang their heads. No matter if you are playing in more of a Thrash or Death Metal style, this is the sensation that the band offers. For this new album that approach hasn’t changed. At the band’s very beginnings, was it your intention to sound so brutal or did it happen naturally?

Johan Lindstrand: The intensity was there from the beginning. We were very inspired by Morbid Angel and Deicide amongst others and we loved the fast brutal stuff. Back then we didn’t have so much of our own identity, but we grew into our own sound more and more as the years passed, but the energy kind of stuck with us. So that’s a very important thing for us for sure, but the cool thing in this band is that we have so much creativity going and we mix a lot of different elements to make the sound more diverse. That’s very important, I think. When you have many songwriters, like we do, you can create that rollercoaster album which puts the listener on high alert because he doesn’t know what will come next. 

Victor Augusto: The crown has released three albums over the last 6 years and you have kept the same line up as well. Do you think that the stable line-up and the sequence of tours helped you to reach the musical result on Royal Destroyer?

Johan Lindstrand: It’s always good to have a steady line up with people you enjoy hanging out with and who are pretty much in sync with you musically. It makes everything easier. We rehearsed really hard for “Royal Destroyer” and we also had to postpone the recording due to Covid-19, which in the end gave us more time to rehearse and make the songs better. So, it’s all about hard work mixed with great band chemistry. 

Victor Augusto: Talking about the long-time partners in crime Marko Tervonen (guitar) and Magnus Olsfelt (bass) have been together since the beginning of the band. You also stayed with them most of the time during the intervening decades. Even though you have had a few break ups and hiatus, you’ve still conquered and urged a huge respect worldwide. How is the relationship amongst you three after so many years?

Johan Lindstrand: The relationship has always been good. We have been friends for a long time now. We were only kids when we first started and we have grown up together playing Death Metal in a kickass band. Like brothers in arms. More than half our lives have been dedicated to this and it’s kinda crazy when you think about it. 

Victor Augusto: Of course Robin Sörqvist (lead guitar) and Henrik Axelsson (drums) are amazing musicians who joined the band for the 3 previous albums (Henrik just for the last 2). What could they offer to the band’s sonority of the band’s sound, considering you already had a strong identity when they joined?

Johan Lindstrand: They have been amazing from day one. They have brought in a new boost of energy into the sound and also into the band chemistry as well. Great guys that fit perfectly. I hope they stick around till the end. 

Victor Augusto: Returning to the past, I remember after discovering the band, I spent many years without knowing anything about the releases available because I was so broken that I hadn’t access to either the internet or the money to buy heavy metal magazines. When I finally had money to find and buy a new album from The Crown, I discovered “Crowned in Terror” with Tomas Lindberg (At the Gates) replacing you on vocals. It is curious that I didn’t know anything about Tomas or At the Gates, but I loved that album even knowing that you are the best man to be THE band’s front man. How was that experience to have him on the band at that period, if you don’t mind talking about it?

Johan Lindstrand: Tomas was in the band for a very short period. They did that album and went on tour in the States. It simply didn’t work out. I believe it’s hard to come into an already established band and try to fit in. But I think that “Crowned in Terror” is a great album and Tomas did a great job. Many people love it, including me. Respect!! 

Victor Augusto: On 2021, the band showed old videos from when you were called Crown of Thorns. My impression after I saw it was that you’ve always had that classic Swedish sonority, that brings a really dark atmosphere, but The Crown seems to flee from it towards a more aggressive style of music. Was it your intention to focus on this aggressive sound to be different from the other Swedish bands at that time?

Johan Lindstrand: As I mentioned before we were very inspired by classic old school US Death Metal and there wasn’t that much melodic stuff happening. I guess we just wanted speed and aggression, but pretty early on we started to mess around with more melody and made our sound wider. We have never felt like we belong anywhere in the Swedish scene. We have always drawn our own path. 

Victor Augusto: “What is happening, Victor?”. Those were my wife’s scared words after I screamed a concise and loud “Holy Shit!” when I was reviewing the newest album “Royal Destroyer” (2021). The reason for this reaction was because all the tracks from the album sound like you just wanted to create the best set of songs ever. There is not one song which sounds like it was a case of “more of the same’, just to complete an album. How hard was it to achieve this result when you were composing for this album?

Johan Lindstrand: We had a lot of songs to choose from. In the end we threw I think 2 or 3 songs away which didn’t feel as good as the others. I think we knew pretty early that we had good material in our hands and when you get that positive vibe; it’s all about rehearsing to make it even better. And we nailed the whole album in 7 days in the studio. We didn’t want to overwork it. We wanted a fresh, live feeling and those songs ended up perfectly on the album. 

Victor Augusto: Still talking about “Royal Destroyer”, it is a mix of everything you’ve done along the decades, but even more brutal. Just the fast and killer opening song ‘Baptized In Violence’ feels ready to destroy everything. I felt even a bit of diluted Hardcore in the mix on this track, amongst the Death Metal. How did you work together to compose this album?

Johan Lindstrand: ‘Baptized in Violence’ was actually my contribution to this album. Me and Magnus wrote the riffs, but I had the idea in my head before I wrote anything. I wanted something really intense that was around one minute and it was more for fun in the beginning, but the band loved this so much it ended up as the first track. I was sceptic at first because it was a more playful vibe compared to the more serious stuff but, in the end, I feel it really deserves a spot. Cool intro to the album. 

All the other songs are composed the way we have always worked. People write stuff at home, then we mess around with it in the rehearsal room to make it even better as a unit. When we have enough songs, we start to think about making an album. We have so much influence coming into this band from all five people which makes the sound more interesting. We have no boundaries in this band. If it feels right, then we record it no matter if it’s a ballad or a one-minute grind song. 

Victor Augusto: Which is the song that each of you most like from “Royal Destroyer” and why? 

Johan Lindstrand: My personal favourite is “Let the hammering begin”. It has a classic vibe to it, but it still feels fresh. Great arrangements. 

Marko Tervonen – Guitar: I think ‘Let The Hammering Begin’ is one bad mo-fo that contains all the elements a good song requires!!

Henrik Axelsson – Drums: ‘Scandinavian Satan’ 

Robin Sörqvist – Lead Guitar: Best on the album is the solo in ‘Full Metal Justice’. Energy, Thrash, shrimpsallad and a hard on!

Magnus Olsfelt – Bass: First riff of ‘Baptized In Violence’ is a highlight for me. Vintage Quorthon-style!

Victor Augusto: Despite Ever Metal being based in the UK, I am from Brazil and I know few people here who also like The Crown. How is the reaction of South American metalheads to The Crown? Do you think that one day you could tour here? 

Johan Lindstrand: We really hope to get over to South America in the future. That would have been awesome. But I really don’t know how the status of The Crown is over there. Hopefully it’s good. 

Victor Augusto: You have a DVD “14 Years of No Tomorrows” that has many good live performances from festivals and concerts you’ve played between 2000 and 2003, as well as bootlegs from the nineties. Do you have plans for new material from a live concert, perhaps with a documentary to discuss your long history?

Johan Lindstrand: We actually released a live show in 2015 on our YouTube channel. Pro-filmed and 90 minutes long. Other than that, we don’t have any plans to release more physical stuff like live DVD’s and documentaries. But who knows? It might happen in the future. 

Victor Augusto: I can’t describe how happy I am to have talked to you. I really hope to see the band live someday, no matter where in the world. Please let us know your final words for the fans and the band’s plan for the future. 

Johan Lindstrand: At the moment we are writing hard for our next album which probably will be out in 2023 and I hope that the world will go back to normal soon so we can go out and play for you all. Thanks for the support and thanks for the interview, Victor. 

Cheers / Johan 

The Crown – ‘Motordeath’ (OFFICIAL VIDEO)

LINE-UP:
Johan Lindstrand – Vocals
Magnus Olsfelt – Bass
Marko Tervonen – Guitar
Robin Sörqvist – Lead Guitar, Backing Vocals
Henrik Axelsson – Drums

LINKS:

The Crown – Royal Destroyer review

The Crown Promo Pic

Disclaimer: This interview is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.