Deathless Legacy – Mater Larvarum

Mater Larvarum Album Cover Art

Deathless Legacy – Mater Larvarum
Scarlet Records
Release Date: 09/12/2022
Running Time: 51:27
Review by Victor Augusto
8/10

Here I am in front of one more band that are one of my cases of love at the first listen! The Italians, Deathless Legacy, hit my ears about 4 years ago with their amazing album “Rituals of Black Magic”, with pure Heavy Metal with a great and dark atmosphere of horror and heavy themes. My love for them heavily increased when they released a masterpiece called “Saturnalia”, a 23-minute-long soundtrack of what became a short movie. It was not only the best album of the year (in my humble and irrelevant opinion), but it was one of the best songs I’d ever listened to in my life. So epic, and Italian history based as well. Now they are back with a new full album and let’s understand what we have here. 

First, let me enforce the important impression I had of Deathless Legacy. They like to offer different sonority in each album, despite the fact that they already have their own identity. If you hear the previous albums, they are all mainly based in classic Metal, with a dense atmosphere created by the keyboards and a theatrical interpretation of the singer Steva, with her powerful and clear voice. But if the subject of “Rituals of Black Magic” looked like a gospel of Black Magic being told track by track, “Saturnalia” also relates to Goddess, black rituals, but it isn’t the main theme there. This last offering was more a history, based in an ancient Italian celebration which involves killing, betrayal and vengeance. 

Now, I felt a blend of these two previous works. Again, we still have the occultism and dark themes, but the way the band entered in these subjects changed a bit. Even the heaviness of the instruments had to decrease to embrace this new concept. Before, I felt connected to them by how they reminded me of the eighties classic bands like Rainbow, Iron Maiden or Manowar. Now, when they play epic songs (with much more horror), I felt the Italians going more to something that Ghost (band) has been perfectly doing along the last decade.

From what I could understand from the lyrics, allied with Steva’s way of singing, it is like a metamorphosis of someone, probably a woman, living an inner conflict among the religious dogmas and all sins we have as temptation. Mainly in ‘Nightfall’ you can understand it. Even the solos are at a more calm and depressive speed, as you hear in ‘Hollow’, increasing the sensation of pain that is being talked about. In ‘Absolution’, this conflict shows to be clearer, when the character feels that faith, church and sin can often be connected and that she tends to keep going to what religion calls as The Dark Side, until reaching a point of no return.

My general impression is that the keyboards became the main instrument to guide all the band members, having the vocal as the lament over it. It also adds the religious side of this history by emulating the church keyboards and chants. Another change is how the bass offers a good versatility, also seems to be more present than before while the guitars sound more restricted to the basic, with few exceptions as you hear on ‘The Coven’. There we have a good remarkable riff on this intro and his work became more powerful in this track.

The same looks to happen with the drums of  Frater Orion. On most of the songs, he maintains a cadenced but in songs like ‘Fade Into the Dark’ and ‘Queen of the Infernal Pantheon’ or ‘Run’, he shows all his power. By the way, these tracks I’ve mentioned rescue a bit of the musicality that I’ve heard in “Saturnalia”, especially on ‘Moonless Night’.

The best of the album is from ‘Queen of the Infernal Pantheon’ until the closing title track song where things turn heavier and dense. Here, we have more from what we already know of Deathless Legacy. She even stops to sing so melodically on the chorus on these tracks and it looks like it represents what happened after the character finally embraces the darkness. By the way, all these chances on Deathless Legacy sonority look intentional to really act like a soundtrack of this journey.

There is no doubt that “Mater Larvarum” is another incredible Deathless Legacy release! They kept strong in how to create a saga evolving in chapters, without repeating themselves. Musically, I wished to have more heaviness and aggressiveness, but it is what the history asked for the music, and they know what they do after many years releasing incredible albums. 

For sure they are one of the best bands I had the pleasure to discover! Congratulazioni!

Moonless Night’ Official Video

TRACKLISTING:
01. Ora Pro Nobis
02. Nightfall
03. Hollow
04. Fade Into the Dark 
05. The Coven
06. Absolution
07. Moonless Night
08. Queen of the Infernal Pantheon
09. Altar of Bones
10. Run
11. Mater Larvarum

LINE-UP:
Steva – Vocals
Frater Orion – Drums
Alex Van Eden – Keyboards
Sgt. Bones – Guitar
Deadwood Nick- Bass                                                                                                                                   Revyla – Performances

LINKS:


Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Dead Witches/Witchthroat Serpent – Doom Sessions Vol 666 Split EP

Doom Sessions Vol.666 Dead Witches & Witchthroat Serpent EP Cover Art

Dead Witches/Witchthroat Serpent – Doom Sessions Vol 666 Split EP
Heavy Psych Sounds
Released Date 18/06/2021
Running Time: 31:41
Review by Dark Juan
10/10

The baleful, screaming yellow eye in the sky above Yorkshire is trying to kill me. It bathes me in rays that cause me to scurry for the nearest black cover I can find and cower there, helpless before its puissance and wait until it turns its ferocious gaze to another victim. I cannot glare my defiance at it as it sears my retinas with its endless hatred and neither can I offer it any physical resistance whatsoever as it burns me from afar before I can plunge my fingers into its ocular cavity and scoop out the terrible, fiery beast. Far better, then, to remain in Dark Juan Terrace and lock the door and bid defiance to the horror from without. Except the fucking smellhounds have to be walked and I have to go to the post office and I have to endure the vile, sweaty unpleasantness that comes with the three days of the sun that constitutes a British summer. Mrs. Dark Juan, however, is soaking up the diabolical radiation as she creates a model of a witch transforming into a hare (which is a thing according to Yorkshire folklore, and, fact fans, the British were-animal is in fact the werehare, thereby proving that Britain is a bit shit in most respects, not least in were-animals. I mean even a were-weasel would be better than a jumped up rabbit analogue, would it not?) and once more terrifies the neighbours and the good people of Facebook when she posts pictures of them on it.

So, in a desperate attempt to escape the pasty-legged denizens of fair Halifax wearing voluminous shorts, I have elected instead to remain indoors and listen to the heavy, heavy sounds of doom heavyweights Dead Witches (dragged screaming from the mind of the estimable, and admirably sideburned and flared trousered Mark Greening who you may know from Electric Wizard, Ramesses and With The Dead and Witchthroat Serpent, who are French doommeisters and who unaccountably have not arrested my attention before. As this is an EP, I shall follow my usual style and detail each song briefly…

Dead Witches… Now there’s a name to conjure with, especially if you are a Lancastrian like me and your home county is famous for hanging wise women and having jumped up trials in Pendle, which got people killed on the word of a disturbed child. ‘D.I.E.’ is the name of the song DW have offered to this EP, and it is a mere 14 minutes in length and it is superfuzz overload. It is riff after orgasmic riff, underpinned with what can only be described as fucking diabolical bass, such is the subterranean rumble that has turned my brain to fluid not unlike a chunky salsa, and my brain to a jellylike, pliable substance. This is Heaviness with a capital H, dear friends. This is heavier than every single one of your female relatives wearing neutronium lingerie, standing on a plutonium plinth and swinging lead handbags at your noggin. The sound of the song is a colossal, soupy, drug-fuelled and fuzzy at the edges mix that is as huge as the running time. Special mention must be made of vocalist Spring Thompson, who adds an unexpected punk edge to the proceedings with her highly charged, furious vocal delivery. In short – even though it is 14 minutes long, ‘D.I.E.’ is a supremely coherent piece of ultrasludgy doom that easily holds your interest and is riff nirvana. You can tell Mark is behind it all, being the doom megastar that he is, but reigning in the more extreme sound of Electric Wizard for something a little bit more listenable. This is very very good indeed, and the worthy French band following them have a real class act to live up to.

…And live up to them they do. Even though I have lived in France, until I started writing for Ever-Metal.com I had considered the French metal scene to barely exist, yet by God our neighbours over the water have cranked out some magnificently violent stuff in Dirge (fucking awesome), Obzson Geschopf (industrial madhead obsessed with new jack hip hop), Rostres (drone perfection), P.H.O.B.O.S (possibly the heaviest industrial record ever to exist in “Phlogiston Catharsis”), Escotrilihum (one man, utterly utterly demented black metal) and now Toulouse-based Witchthroat Serpent. The French bruisers contribute two tracks to this EP – ‘The Fall Of Whitewood’ and ‘Cyanide Laced-Flavour’ (they used the American spelling but I speak the correct form of English and therefore will also spell it correctly too) [Mr. Juan should know that if it is a song/album title or band name that shouldn’t be done so it is ‘Cyanide Laced-Flavor’. I shall take the whip to him later – Rick] and it has to be said that they are easily up to the weight of their British partners on this record. Riffs of monolithic chunkiness extend into colossal grooves and just keep on fucking going, taking you ever deeper into realms of mystical mescaline-fuelled splendour. The bass on both tracks (which are incidentally linked with close to two minutes of screaming feedback [electric alchemy – just another reason why doom is so good. They can use even the squealing of a feedbacking guitar to continue the colossal grooves] underpinned by a slowly building rhythm section) is sludgier than a day out at Davyhulme Sewage Treatment Works (if you’ve ever been over Barton Bridge on the M60 around Manchester you’ve smelled it) and has gone beyond mere fuzz into theoretical places where only hyperfuzz exists. It also has more bottom end than several dozen busloads of twerking, miniskirted pissheads in Gateshead on a Saturday night. The drumming is tight and multifaceted and the two tunes link and complement each other perfectly. The vocalist is also top notch as he wails and howls over the endless infinity groove.

All three of these songs are doom done right. None of them have any faults whatsoever. Which is annoying because I love picking holes in stuff and being rude about bands. What? Relax, I’m only joking, you muppets. I love the music and the bands and the people in them. I’m firm but fair, mate.

The Patented Dark Juan Blood Splat Rating System (Le système breveté de notation des éclaboussures de sang Dark Juan pour nos amis français – de rien!) cannot help but award the full beans 10/10 to both Dead Witches (doing Blighty proud) and Witchthroat Serpent (you have won a lifelong fan in me, messieurs) for a masterclass in fucking perfect doom metal from each side of the channel. Magnifique!!

Dead Witches – ‘D.I.E.’ (Dragged Into Emptiness) (Official Video)

Witchthroat Serpent – ‘ The Fall Of Whitewood’ (Official Audio)

TRACKLISTING:
01. Die – Dead Witches
02. The Fall Of Whitewood – Witchthroat Serpent
03. Cyanide Laced-Flavor – Witchthroat Serpent

LINE-UPS:
Dead Witches
Mark Greening – Drums & Concussion
Rab McIlrath – Guitars
Sam Cutbush – Bass
Spring Thompson – Vocals

Witchthroat Serpent
Fredrik – Vocals & Guitars
Niko – Drums
Ügo – Bass
Djé – Guitars

DEAD WITCHES LINKS:

WITCHTHROAT SERPENT LINKS:

Dead Witches & Witchthroat Serpent Promo Pics

Disclaimer: This review is solely the property of ‘Dark Juan’ and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with CURSE OF EIBON

EMQ’s with CURSE OF EIBON

Hi everyone! Welcome to our new EMQ’s interview with Swedish based Occult Melodic Death Metal band, Curse Of Eibon. Huge thanks to vocalist, Fredrik Croona, for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

Fredrik, vocalist.

Curse of Eibon was founded in late March/early April of 2020 with members from different metal bands in Sweden. We all wanted to create something interesting and dark together.

To tell stories of the occult and things beyond human comprehension.

How did you come up with your band name?

The band name was inspired by a character from a Lovecraft novel called “Eibon”. He was a wizard who wrote the tome called “Book of Eibon”

What Country/Region are you from and what is the Metal/Rock scene like there?

We are from Sweden-Gothenburg/Uppsala/Borlänge and right now the metal scene is kind of dead, due to corona virus naturally. Otherwise, we have a pretty decent scene with a lot of bands.

What is your latest release? (Album, EP, Single, Video)

Our latest release is called “Book of Eibon” which is our debut EP.

‘Dagon’ (Official Lyric Video)

‘Ahtu’ (Official Lyric Video)

Who have been your greatest influences?

We all have our different influences and we all like different styles of music and metal. Thrash/Gothenburg/death metal etc.

What first got you into music?

I joined my first band in 2002 and I just wanted to try to be a vocalist. Philip Anselmo is an old hero of mine and got me inspired to become one.

If you could collaborate with a current band or musician who would it be?

Personally, I’d love to work with a couple of other vocalists like Mikael Stanne or Björn Stridh, mainly because they are amazing vocalists.

If you could play any festival in the world, which would you choose and why?

Wacken would be amazing to play, I think most metal bands would love to be standing on one of their stages.

What’s the weirdest gift you have ever received from a fan?

Haven’t really received any weird gifts…

If you had one message for your fans, what would it be?

Keep supporting the things you love.

If you could bring one rock star back from the dead, who would it be?

Chuck Schuldiner from the band Death.

What do you enjoy the most about being a musician? And what do you hate?

I enjoy creating new music and I hate being stuck on repeat and not being able to move forward.

If you could change one thing about the music industry, what would it be?

For bands to support and help each other and not just compete. And for labels to support their bands and not release album after album to just earn money.

Name one of your all-time favourite albums?

Pantera – “Vulgar Display Of Power”.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Everything has its charm, depending on a person’s taste. I like downloads because its easy.

What’s the best gig that you have played to date?

To be honest I can’t really remember, I’ve enjoyed most of my gigs.

If you weren’t a musician, what else would you be doing?

Haha, I am just a musician as a hobby. I do have another job, a full-time job as a chef.

Which five people would you invite to a dinner party?

Ozzy Osbourne, Zack Wylde, George Fisher, Till Lindemann , Al Jourgensen.

What’s next for the band?

We are currently working on a new concept EP which will be very interesting. That’s all I can say for now.

What Social Media/Website links do you use to get your music out to people?

www.curseofeibon.bandcamp.com/
www.youtube.com/channel/UCXQQPmfar-wid_lQFJ9koDQ
www.facebook.com/curseofeibon

Jaffa Cakes! Are they a cake or a biscuit?

Biscuit!

Thank you for your time. Is there anything else that you would like to add?

Thank you for having me. Not really , just check out the new EP and horns up!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with VESTAL CLARET

EMQ’s with VESTAL CLARET

Hi everyone! Welcome to our new EMQ’s interview with Seymour, Connecticut based Occult Metal band Vestal Claret. Huge thanks to Simon Tuozzoli for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

My name is Simon. I’m in the recording project known as Vestal Claret. I play the guitar, the bass, keys, percussion, and sing some. The band was formed in 2006 as an occult metal project. We had a rocky start. After composing our first full length, Phil (vocalist) took his lyrics from the album and applied them to Hour Of 13’s first LP. We reformed years later and finally released that original record, then followed it up with 2 LPs, along with other recordings.

How did you come up with your band name?

Phil Swanson named the band before it was formed. The name literally translates to “Virgin Blood”.  He had the concept and was looking for members to make it happen.

What Country/Region are you from and what is the Metal/Rock scene like there?

Northeast USA. The scene is horrible. The majority of our supporters are from elsewhere.

What is your latest release? (Album, EP, Single, Video)

We released a self-titled LP a few weeks ago.

https://thecultofvestalclaret.bandcamp.com/album/vestal-claret

Who have been your greatest influences?

Phil is influenced by much cooler, obscure music. His knowledge of underground music is preposterous. I like a lot of different stuff; some popular (70’s-80’s), some classical, some 80’s metal, medieval folk, and progressive music.

What first got you into music?

Listening to my mother’s records.

If you could collaborate with a current band or musician who would it be?

I’d bring Custer La Rue out of retirement.

If you could play any festival in the world, which would you choose and why?

Any doom fest because doom is the best.

What’s the weirdest gift you have ever received from a fan?

A box of Century Eggs.

If you had one message for your fans, what would it be?

I am grateful beyond belief for your support.

If you could bring one rock star back from the dead, who would it be?

Dio. (Don’t tell Phil).

What do you enjoy the most about being a musician? And what do you hate?

Creating. I don’t get paid to do it.

If you could change one thing about the music industry, what would it be?

The consumers. If they dug harder to find music than just taking what was fed to them, the world would be a better place.

Name one of your all-time favourite albums?

“Sabbath Bloody Sabbath”.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

1. Vinyl, 2. CD’s, 3. Cassettes, 4. Downloads.

What’s the best gig that you have played to date?

Sad, but it was years ago. My band played a Knights of Columbus gig in Middletown RI. It was all ages. The kids ate it up, the band was on fire. It was magic.

If you weren’t a musician, what else would you be doing?

I’d be a fucking watermelon, and I’d taste like shit.

Which five people would you invite to a dinner party?

Howell Golson, Jay Murray, Dave Boccuzzi, Bruce McCulloch, and a camera man.

What’s next for the band?

Just promoting the new record. We might play live next year.

What Social Media/Website links do you use to get your music out to people?

Bandcamp and Facebook.
www.thecultofvestalclaret.bandcamp.com/
www.facebook.com/VestalClaret/
www.en.wikipedia.org/wiki/Vestal_Claret

Jaffa Cakes? Are they a cake or a biscuit?

That’s a biscuit friend. Haven’t had one yet, but I can see from here, that’s no cake.

Thank you for your time. Is there anything else that you would like to add?

I appreciate your questions. Thanks.

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.