Album & EP Reviews

Divine Chaos  –  Hate Reactor

Divine Chaos  –  Hate Reactor
Self-Released
27/03/2026
Review by Oli Gonzalez
8.5/10

Thrash metal. It’s not easy to make yourself stand out in this stacked genre. That’s the task that Divine Chaos were faced in their formative years. Though with persistence and grind, they slowly forged a reputation as one of the most exciting bands in the underground metal scene, headlining multiple smaller festivals along the way whilst securing slots at prestigious festivals like the main stage of Bloodstock Open Air! 6 years seems like a long wait for a new record, with “Hate Reactor” being the successor to 2020’s effort “The Way To Oblivion”. Trust me though, some things are worth waiting for and cannot be rushed! “Hate Reactor” is a significant upgrade on multiple levels! Whether it’s the new musicians in the band that have made the difference or not, or the improved approach to production, let’s find out what makes the album special…

The opening track ‘Regicide’ sums up everything wonderful about the band. That thrash metal spine is prominent with the meaty headbang inducing riffs chugging and chopping their way into your eardrums. Everything feels sharp and well produced also. Whilst the tempo is high, Divine Chaos resist the urge to release all unmitigated hell at such an early stage. You know something huge is coming on the album, you’re just not sure when. The chorus is huge and anthemic, and will stick in your subconscious too. Much like the chorus to ‘Hate Reactor’ in which that bludgeoning thrash metal edge is rampant. The band are delivering on their promise of an old-school feel with a modern production. Fans of Trivium in their “Vengeance Falls” era will be satiated so far, with this comparison to the Florida legends becoming more prominent in ‘Where Gods Are Last In Line’, such is the more progressive approach to thrash and the absolute masterclass and clinic in lead guitar here! Many may cite Matt Heafy as a key influence in learning to play guitar though some may cite Chris O’Toole or Matt Gilmour as reasons to pick up the axe such is the level of proficiency here.

Things slow down to a glacial drip during ‘Condemned To The Void’ with the eerie haunting arpeggio giving a similar vibe to the great Annihilator’s ‘Alice In Hell’ in the opening segment. This acts as a breather though and makes you appreciate the bruising thrash that proceeded it. ‘The New Reality’ and ‘Without A Trace’ continue to represent the superb blend of melody and soaring choruses with a more complex approach to thrash that one may expect. 

Now, if any song is going to cause a wild circle pit and cause chaos in the live arena, it’s going to be ‘Blood Of Earth’, being the most frantic and aggressive song on the album so far! Well, you’d think that until you’re subjected to the absolute ground and pound assault that is ‘This Coming Storm’! This one pulls no punches and really evokes that primitive early 80s thrash metal spirit! ‘Shadows Of The Wasteland’ makes a statement with an absolute monster of an opening riff played with the upmost venom…then it’s all over! Damn. Only 9 songs?! Best not to milk it and leave your fans wanting more, right? I wouldn’t have considered myself a fan prior to listening to “Hate Reactor” but now I’m a fully-fledged convert!

Overall, Divine Chaos have carved something quite incredible with “Hate Reactor”, breathing life into what’s an otherwise stale genre rampant with cliches. As a self-released album, you can’t help but feel a large record label is watching very closely and seriously considering a record label with Divine Chaos.

TRACKLISTING:
01. Regicide
02. Hate Reactor
03. Where Gods Are Last In Line
04. Condemned to the Void
05. The New Reality
06. Without A Trace
07. Blood of the Earth
08. This Coming Storm
09. Shadows of the Wasteland

LINKS:

Disclaimer: This review is solely the property of Oli Gonzalez and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.